Krystal Ball

Yeah.

And there's something I mean, it's bad enough that there's so many public cameras, so much just like public surveillance.

But it feels different when there's an assumption that, OK, whatever, you know, government or business or whatever that's reviewing this footage.

At least there's level of like professionalism that, you know, whatever.

That's the expectation feels a little less personal.

Right.

Yeah.

Now, if you have an individual person who is creepily taking your photo or videoing you without you knowing like that is it is just is very disturbing.

So, yeah, I hate these things.

I think they should be banned.

The tie up with the facial recognition company just makes it worse.

But I already just hate that they exist.

Right.

They feed all of that also into these AI companies to help with their training data and develop their whatever.

Anyway, it's very it's very disturbing.

All right.

Let's talk a little bit about the the economic fallout of the Iran war that may continue even though a deal is struck.

Slow Hands is not about anything else really, is it?

You know, our taste so good can't be about food.

You do the same, Nick, with some of the stuff that you've done.