Lulu Garcia Navarro

And, you know, for example, when you were making Mother with Darren Aronofsky, you hyperventilated, you tore your diaphragm, you got medical attention, etc.

And then he made you film the scene again when you got back.

And I'm just wondering what that kind of intensity does for you.

Like, how do you work with directors who really bring that out in you and demand that of you?

I can kind of... I mean, Amy Adams, who was in American Hustle with you, and that was obviously David O. Russell, said of you, Jennifer doesn't take any of it on.

She's Teflon.

Sort of saying that you don't absorb some of that stuff.

Well, I mean, Amy Adams said that she cried on set when she talked about you being Teflon.

She said that for her it was hard.

I was going to say, I didn't want to say anything, but I was like, we have talked now for quite a bit about this.

But maybe you're less sensitive about the acting.

I mean, you're about to do a film with Martin Scorsese, which is coming up.

Yeah.

I mean, why would you?

Tell me about in advance of working with a director like Martin Scorsese, you haven't actually been directed by him.

I mean, how do you prepare for something like that?

You mentioned one battle after another.

We're time stamping it.

You saw it last night.

It's also a film that speaks to, as we started discussing, it speaks to this political moment in a very interesting and important way that is funny, that is complicated.