Maggie Gyllenhaal

Really?

By way of like right now.

So if that's the directive for Karen...

You know, it's a tough one.

It's something that you haven't seen before.

I mean, it is technically 1936, but it's a different world.

As you say, world building, which is actually something I'm really interested in

That term, which I had actually never heard before, before I went to work on this movie, which at least in my mind really refers to VFX, visual effects.

But...

I mean, here's something I've been thinking a lot about.

So few women have gotten a chance to get our hands on some of these tools, like shooting for IMAX with a changing aspect ratio, like world building.

I mean, there are some, there are, but just not very many.

And I somehow feel like the...

way that it's been done before is in a language that doesn't totally resonate with me.

So, you know, world building could mean we're shooting underneath, like, that... What would it be?

The West Side Highway up in New York, like, has, like, an overpass if you're up on 125th Street with beautiful, beautiful, like, arches.

We shot there.

But if you look to the right, in reality, there's, like, a big...

ad for whatever, something from now and the rest of the highway and all this modern stuff.

So you can create whatever you want in the rest of that frame.