Mallory Rubin

And I have the community.

The movie is communicating to us.

The intention of that ending is and we will now align and at least listen and at least what this lady has to say.

It's just simply not what would happen.

There's no way.

So the period piece thing is interesting because on the one hand, as I've said many times, as we both have, I think we are just in complete alignment.

The movie doesn't really totally track in 2026.

I think that's just true.

However, the engine of the film is the idea of, like, the 79-year cover-up and dating back to Roswell and this, like, the fact that our... Can we make it into 80s?

Sure, yeah.

But then we're just like, that's where Close Encounters and E.T.

are, 77 and 82, and, like, those movies fucking rock.

It's just down the road.

You know what I mean?

So maybe we should just do that again, but, like...

Yeah, I think this movie, the idea of Disclosure Day, the whistleblowing, not just accepting that there's life elsewhere, that we're not alone, and that we should be open to that and embrace it, but that we have to challenge...

the figures in our countries and our lives, whether they are government officials, though, of course, one of the things in the movie is, like, Nixon fucked up, now the presidents aren't even read in because they become civilians after years.

Kind of another example, actually, of, like, an interesting idea that's, like, almost, like, tossed away.

He's trying to, like, impress, like, Ed Sullivan, essentially.

Incredible.