Marc Maron

He has a relationship with the kids, you know, and I think you, after a certain point, you just kind of focus on that because whatever the transgression was, he's, he's owned it and you know, he's, he's, he's good with the kids.

So,

Yeah.

You're my dad.

Oh yeah.

Well, that was the great thing about talking to Arnold is that he won't let you do that.

He's got a switch in his head.

Like he won't even hear it.

Like, you know, and he's very charming.

Like he, you know, like he, you know, he gets on, he sits down and he goes, look at your pecs.

He goes right into it.

And you kind of feel flattered.

You're like, oh, thank you.

I think his heart kind of blew up, didn't it?

He had some work done in there.

I don't know what, I think Todd Phillips convinced himself that he was actually an artist of some kind and decided to take this interesting cinematic risk that, you know, you know, failed miserably apparently, but I didn't see it.

Did you?

The interesting thing is, is he, he had a, you know, he'd rebuilt a good franchise possibility by really exploring that character in the first one.

And, you know, it was, I don't know.

Yeah.