Margie Samuels

Let me clarify. These are characters. These are characters. They're British, first off. This is not something that happens to Jorm and Annie. All right, split and play. We got one second in.

Let me clarify. These are characters. These are characters. They're British, first off. This is not something that happens to Jorm and Annie. All right, split and play. We got one second in.

Anyone remember how and why? I feel like we knew somebody who knew her, and we went, would she ever do it? And then it just happened easily, but I don't know who that was.

Anyone remember how and why? I feel like we knew somebody who knew her, and we went, would she ever do it? And then it just happened easily, but I don't know who that was.

Anyone remember how and why? I feel like we knew somebody who knew her, and we went, would she ever do it? And then it just happened easily, but I don't know who that was.

Me as the DJ. I got in there.

Me as the DJ. I got in there.

Me as the DJ. I got in there.

I think this timeline might not work out. And this might've been a later thing that I went, oh, that's how, what it's like. But when you're in a car that has heavy ass base and it's a rickety old car, like when I had the speaker in my trunk of my Nissan 88 Nissan Stanza, And you look in the rear view mirror when you bump in the music, it does that. Yeah. Because it shakes the whole car.

I think this timeline might not work out. And this might've been a later thing that I went, oh, that's how, what it's like. But when you're in a car that has heavy ass base and it's a rickety old car, like when I had the speaker in my trunk of my Nissan 88 Nissan Stanza, And you look in the rear view mirror when you bump in the music, it does that. Yeah. Because it shakes the whole car.

I think this timeline might not work out. And this might've been a later thing that I went, oh, that's how, what it's like. But when you're in a car that has heavy ass base and it's a rickety old car, like when I had the speaker in my trunk of my Nissan 88 Nissan Stanza, And you look in the rear view mirror when you bump in the music, it does that. Yeah. Because it shakes the whole car.

And I believe at the beginning of, who directed the 50 Cent movie, the Get Rich or Die Trying? I think there is one of those really cool lock off, you know, just those cool, like the ones they have on training day where they found really neat ways to film a car.

And I believe at the beginning of, who directed the 50 Cent movie, the Get Rich or Die Trying? I think there is one of those really cool lock off, you know, just those cool, like the ones they have on training day where they found really neat ways to film a car.

And I believe at the beginning of, who directed the 50 Cent movie, the Get Rich or Die Trying? I think there is one of those really cool lock off, you know, just those cool, like the ones they have on training day where they found really neat ways to film a car.

Exactly. And so I wonder if the timeline is right or if I saw the director after this and went, oh, that's like it. That's the thing I was doing. Or if I saw that and went, what if you did that to a video? Because that is shooting the actual mirror where you see the edges of the mirror. But anyways, that's what that feeling was replicating.

Exactly. And so I wonder if the timeline is right or if I saw the director after this and went, oh, that's like it. That's the thing I was doing. Or if I saw that and went, what if you did that to a video? Because that is shooting the actual mirror where you see the edges of the mirror. But anyways, that's what that feeling was replicating.

Exactly. And so I wonder if the timeline is right or if I saw the director after this and went, oh, that's like it. That's the thing I was doing. Or if I saw that and went, what if you did that to a video? Because that is shooting the actual mirror where you see the edges of the mirror. But anyways, that's what that feeling was replicating.

I remember when we were shooting this, it was all on really heavy dolly because we couldn't afford Steadicam, even with it being the bigger thing and me being worried that the camera work was too still and locked off.

I remember when we were shooting this, it was all on really heavy dolly because we couldn't afford Steadicam, even with it being the bigger thing and me being worried that the camera work was too still and locked off.

I remember when we were shooting this, it was all on really heavy dolly because we couldn't afford Steadicam, even with it being the bigger thing and me being worried that the camera work was too still and locked off.