Marshmello

Yeah, I mean, because like

it can like make people jump and they have that like call and response of the kick snare that they're so used to and all other kinds of music you know so anyways yeah so i was just running with this like i said it's just like caught it just caught something in my body where i was just like i couldn't stop making this music it was so exciting i felt like there were no rules you know and so

it can like make people jump and they have that like call and response of the kick snare that they're so used to and all other kinds of music you know so anyways yeah so i was just running with this like i said it's just like caught it just caught something in my body where i was just like i couldn't stop making this music it was so exciting i felt like there were no rules you know and so

it can like make people jump and they have that like call and response of the kick snare that they're so used to and all other kinds of music you know so anyways yeah so i was just running with this like i said it's just like caught it just caught something in my body where i was just like i couldn't stop making this music it was so exciting i felt like there were no rules you know and so

I just did that, sent it to my manager. I think I had like eight or nine songs done in like the first five days or something, four days, whatever. And he's like, you know, we should start a project, man. Like something new. And me living at home still, I'm like, yes, I'll do anything like, like whatever. So we sat there and came up with the marshmallow, you know, mellow melodies and

I just did that, sent it to my manager. I think I had like eight or nine songs done in like the first five days or something, four days, whatever. And he's like, you know, we should start a project, man. Like something new. And me living at home still, I'm like, yes, I'll do anything like, like whatever. So we sat there and came up with the marshmallow, you know, mellow melodies and

I just did that, sent it to my manager. I think I had like eight or nine songs done in like the first five days or something, four days, whatever. And he's like, you know, we should start a project, man. Like something new. And me living at home still, I'm like, yes, I'll do anything like, like whatever. So we sat there and came up with the marshmallow, you know, mellow melodies and

It was kind of mellow, chill, you know what I mean? Like, even, like, my first kind of... My first single single was Keep It Mellow with Omar Lynx.

It was kind of mellow, chill, you know what I mean? Like, even, like, my first kind of... My first single single was Keep It Mellow with Omar Lynx.

It was kind of mellow, chill, you know what I mean? Like, even, like, my first kind of... My first single single was Keep It Mellow with Omar Lynx.

And that was, like, we shot a music video, my first music video. We, like, went to Borbor's house and shot it there and, like, invited all of our, like, DJ friends out and stuff. And it was a crazy time. But that's, like, a very mellow song, you know what I mean? And that just kind of all kind of fell into place. You know, I got a lot of remix opportunities, which were really huge for me.

And that was, like, we shot a music video, my first music video. We, like, went to Borbor's house and shot it there and, like, invited all of our, like, DJ friends out and stuff. And it was a crazy time. But that's, like, a very mellow song, you know what I mean? And that just kind of all kind of fell into place. You know, I got a lot of remix opportunities, which were really huge for me.

And that was, like, we shot a music video, my first music video. We, like, went to Borbor's house and shot it there and, like, invited all of our, like, DJ friends out and stuff. And it was a crazy time. But that's, like, a very mellow song, you know what I mean? And that just kind of all kind of fell into place. You know, I got a lot of remix opportunities, which were really huge for me.

Which, like, looking back, like... I was making them at my parents' house. I didn't know what was going on, what this project was, what everything, because I was just so tunnel vision on my music and I'm going to make this work. So yeah, just kind of all just kind of fell out, just snowballed.

Which, like, looking back, like... I was making them at my parents' house. I didn't know what was going on, what this project was, what everything, because I was just so tunnel vision on my music and I'm going to make this work. So yeah, just kind of all just kind of fell out, just snowballed.

Which, like, looking back, like... I was making them at my parents' house. I didn't know what was going on, what this project was, what everything, because I was just so tunnel vision on my music and I'm going to make this work. So yeah, just kind of all just kind of fell out, just snowballed.

Yeah, it kind of, I always said it kind of felt like a culmination of everything I learned since that garage band day when I was nine.

Yeah, it kind of, I always said it kind of felt like a culmination of everything I learned since that garage band day when I was nine.

Yeah, it kind of, I always said it kind of felt like a culmination of everything I learned since that garage band day when I was nine.

You know, the trap drums, the melodies and stuff, the chords and, you know, a lot of this stuff lends itself where I was coming from when I wrote a lot of, you know, the chord progressions or the melodies, very like pop punk oriented. You know what I mean? Like, New Found Glory and Sum 41 and Good Charlotte and, like, all that stuff. You know what I mean?