Mary Lynn Rajskub

I don't know.

I think I'm a little bit more grown up and have a little bit more sane now.

So I'm like, oh, that's how I would work on it if I wanted to structure a joke and a show for people.

What's so true about Chris Rock, if you see early him, you're like, oh, that's him, but just younger and his voice is a little bit higher.

About times a thousand.

I mean, I used to mumble and, you know, stare off into space.

And it was me in the moment on this tightrope of maybe I would hit something, but most of the time I wouldn't.

But then when I did, it was fantastic.

And it's so anxiety inducing and so counterproductive to actually having a clear voice.

That wasn't a very direct answer, but...

No, and I mean I don't know if I had any material.

I had performance.

A couple people reminded me lately that – and this is pretty good.

It was more conceptual, and this was – and I remember approaching it being so much anxiety, and I wanted to perform so bad, but I didn't know what to do.

So I did Joan Rivers' act verbatim, and nobody got that I was doing it, and it was – I don't even remember.

It was something – it was pre-internet, so I don't even know how I –

I think I must have got a CD or something, but it was, you know...

Stevie Wonder, that's that son of a bitch.

It looks like he's wearing a lamp, a macrame plant holder on his head.

The nose, the nose on.