Michael B. Jordan

Yeah.

You know, a chase infinity picture, a chase picture between, you know, two white men for a black woman.

And, you know...

Let's go back to, you know, that's a 400-year-old American story.

You know?

I mean, I just kind of like the brazenness of it.

I liked its disrespect.

But I'm also, I'm so, I don't know, comfortable with, and at this point, here for and really

I've absorbed all the critiques of this movie in light of the in the light of the way I just laid out what I think is exciting and exhilarating about it.

Because, you know, there is also it's attached to this other history of how black women have been represented in art, culture and, you know, American commerce.

If we're going back to like, you know, 1865 and before.

Why aren't we sure she wrote that?

I know we talked about this before, but do you have any more clarity on why?

If you read Vineland, you're like, well, how did he find this?

Yeah.

Uh, yeah, I, I love, I mean, thank you for putting it that way.

Cause I do feel like these movies are talking to each other in, in some way.

And I never felt good about them being pitted against each other.

Um, I know that that is the horse race nature of the way we think about the Academy Awards, but I don't know.

I just really feel like the things, the events that unfold in sinners, um, are,