Michael Levin

It's a silk sheet.

And I, you know, it's, it's out of date within a couple of weeks of, of my, of my printing it.

Cause new stuff keeps moving around.

And then, and then there's more that isn't, you know, isn't for anybody else's view, but yeah, I try to, I try to be very organized because otherwise it's,

Otherwise, I forget.

So everything is in a mind map.

Things are in manuscripts.

I have something like, right now, probably 163, 162 open manuscripts that are in process of being written at various stages.

And when things come up, I stick them in the right manuscript in the right place so that when I'm finally ready to finalize, then I'll put words around it, whatever.

But there's like outlines of everything.

So I try to be organized because I can't, I don't have to...

Yes, but that's just the theoretical, philosophical stuff.

The empirical work that we're doing in the lab, we know exactly...

This is like, we know this is, this is, you know, antibody aging.

This is limb regeneration.

This is the new cancer paper.

This is whatever.

Yeah.

Those things are very linear.

I mean, I hate to bring up the platonic space again, but, but I mean, if you talk to any creative, that's basically what they, what they'll tell you.