Michael Malice

The other point I made in my book, The New Right, is that when you're in the center, insanity and brilliance are equidistant. You have no capacity really for distinguishing between the two of them because they both sound completely crazy to you and something you'd never heard before. And I thought, okay, then we got to kind of knock the center out.

The other point I made in my book, The New Right, is that when you're in the center, insanity and brilliance are equidistant. You have no capacity really for distinguishing between the two of them because they both sound completely crazy to you and something you'd never heard before. And I thought, okay, then we got to kind of knock the center out.

The other point I made in my book, The New Right, is that when you're in the center, insanity and brilliance are equidistant. You have no capacity really for distinguishing between the two of them because they both sound completely crazy to you and something you'd never heard before. And I thought, okay, then we got to kind of knock the center out.

But then what's happening is you kind of get these new centers, which kind of crystallize. And a lot of them are just like- Insanity. Insanity. And also, as you know, from a lot of your work, the more insane, the more sticky it gets. Yeah. Because people take pride in having insane views because it's like agnostic thing. I've been initiated into these mysteries. These people just don't get it.

But then what's happening is you kind of get these new centers, which kind of crystallize. And a lot of them are just like- Insanity. Insanity. And also, as you know, from a lot of your work, the more insane, the more sticky it gets. Yeah. Because people take pride in having insane views because it's like agnostic thing. I've been initiated into these mysteries. These people just don't get it.

But then what's happening is you kind of get these new centers, which kind of crystallize. And a lot of them are just like- Insanity. Insanity. And also, as you know, from a lot of your work, the more insane, the more sticky it gets. Yeah. Because people take pride in having insane views because it's like agnostic thing. I've been initiated into these mysteries. These people just don't get it.

Right, and the odds that they're all going to be positive is very low.

Right, and the odds that they're all going to be positive is very low.

Right, and the odds that they're all going to be positive is very low.

Is it? No, but it speaks because all-out anarchism would still have leadership. Have you ever seen The Devil Wears Prada? I think so, yeah. So do you remember the speech that Meryl Streep gives to Anne Hathaway? Elaborate. So Anne Hathaway's... Meryl Streep is Anna Wintour. She's head of Vogue magazine. You know, Romana Clef. Romana Clef, however it's pronounced.

Is it? No, but it speaks because all-out anarchism would still have leadership. Have you ever seen The Devil Wears Prada? I think so, yeah. So do you remember the speech that Meryl Streep gives to Anne Hathaway? Elaborate. So Anne Hathaway's... Meryl Streep is Anna Wintour. She's head of Vogue magazine. You know, Romana Clef. Romana Clef, however it's pronounced.

Is it? No, but it speaks because all-out anarchism would still have leadership. Have you ever seen The Devil Wears Prada? I think so, yeah. So do you remember the speech that Meryl Streep gives to Anne Hathaway? Elaborate. So Anne Hathaway's... Meryl Streep is Anna Wintour. She's head of Vogue magazine. You know, Romana Clef. Romana Clef, however it's pronounced.

And Anne Hathaway is her assistant. And they're putting together a photo shoot. And they're trying to see which belt would go with this ballerina skirt. And Meryl Streep's like, it's hard to pick. Some of the characters are too similar. And Anne Hathaway laughs. Everyone in the room looks at her and is like, is something funny? And she goes, I'm sorry, these belts look the same to me.

And Anne Hathaway is her assistant. And they're putting together a photo shoot. And they're trying to see which belt would go with this ballerina skirt. And Meryl Streep's like, it's hard to pick. Some of the characters are too similar. And Anne Hathaway laughs. Everyone in the room looks at her and is like, is something funny? And she goes, I'm sorry, these belts look the same to me.

And Anne Hathaway is her assistant. And they're putting together a photo shoot. And they're trying to see which belt would go with this ballerina skirt. And Meryl Streep's like, it's hard to pick. Some of the characters are too similar. And Anne Hathaway laughs. Everyone in the room looks at her and is like, is something funny? And she goes, I'm sorry, these belts look the same to me.

I'm still getting used to this stuff. And the venom from Meryl Streep's character, she's like, this stuff? And she goes, oh, I see what's going on here. Like, you think you chose that Lumpy blue sweater.

I'm still getting used to this stuff. And the venom from Meryl Streep's character, she's like, this stuff? And she goes, oh, I see what's going on here. Like, you think you chose that Lumpy blue sweater.

I'm still getting used to this stuff. And the venom from Meryl Streep's character, she's like, this stuff? And she goes, oh, I see what's going on here. Like, you think you chose that Lumpy blue sweater.

But what had happened was five years ago, Yves Saint Laurent had – that sweater isn't blue or turquoise. It's Cerulean because five years ago, Yves Saint Laurent had Cerulean military jackets. And then it was in all – Cerulean spread out to all designers. Then it was in all the runways. Yeah. Then it was in the department stores. Yeah. And then it ended up at some bargain – Target store.

But what had happened was five years ago, Yves Saint Laurent had – that sweater isn't blue or turquoise. It's Cerulean because five years ago, Yves Saint Laurent had Cerulean military jackets. And then it was in all – Cerulean spread out to all designers. Then it was in all the runways. Yeah. Then it was in the department stores. Yeah. And then it ended up at some bargain – Target store.