Mike Schur

And I remember that was the first sketch I was in that was on the wall. Oh, wow. I was always looking for like touchstones where I'm like, well, they're not going to fire a guy. It was on the wall. They framed it. Just think of the money they paid on the framing. And the other thing about resubmissions is a lesson I learned is you don't tell the host.

And I remember that was the first sketch I was in that was on the wall. Oh, wow. I was always looking for like touchstones where I'm like, well, they're not going to fire a guy. It was on the wall. They framed it. Just think of the money they paid on the framing. And the other thing about resubmissions is a lesson I learned is you don't tell the host.

And I remember that was the first sketch I was in that was on the wall. Oh, wow. I was always looking for like touchstones where I'm like, well, they're not going to fire a guy. It was on the wall. They framed it. Just think of the money they paid on the framing. And the other thing about resubmissions is a lesson I learned is you don't tell the host.

I remember once saying, I'm so happy we're doing this. This is like the fifth time I've submitted it. And then the host who thought they had inspired you is like, oh.

I remember once saying, I'm so happy we're doing this. This is like the fifth time I've submitted it. And then the host who thought they had inspired you is like, oh.

I remember once saying, I'm so happy we're doing this. This is like the fifth time I've submitted it. And then the host who thought they had inspired you is like, oh.

Why would I do it? So I'm just word meat. You're like, yeah.

Why would I do it? So I'm just word meat. You're like, yeah.

Why would I do it? So I'm just word meat. You're like, yeah.

Fantastic. So you know how great the photo is.

Fantastic. So you know how great the photo is.

Fantastic. So you know how great the photo is.

All right. Now, just on logistics, because we started talking about the idea of naming the Criterion Collection shorts. We did not discuss what that really meant, but we did reach out to viewers and let them vote without giving them any rules. They very clearly picked some over others. My question to you guys before we get started is,

All right. Now, just on logistics, because we started talking about the idea of naming the Criterion Collection shorts. We did not discuss what that really meant, but we did reach out to viewers and let them vote without giving them any rules. They very clearly picked some over others. My question to you guys before we get started is,

All right. Now, just on logistics, because we started talking about the idea of naming the Criterion Collection shorts. We did not discuss what that really meant, but we did reach out to viewers and let them vote without giving them any rules. They very clearly picked some over others. My question to you guys before we get started is,

What percentage of shorts do you believe should be criterion collection? Not judging, but like, is it the top 25%? Is it the top 33%? What do you think rises to it?

What percentage of shorts do you believe should be criterion collection? Not judging, but like, is it the top 25%? Is it the top 33%? What do you think rises to it?

What percentage of shorts do you believe should be criterion collection? Not judging, but like, is it the top 25%? Is it the top 33%? What do you think rises to it?

All right. I also feel as though we're going to have different. So in the NFL, Pro Bowl voting, you have the fans, the players and the coaches. So I do want to let you guys know. A perfect system. You will be at best a third of this voting block.

All right. I also feel as though we're going to have different. So in the NFL, Pro Bowl voting, you have the fans, the players and the coaches. So I do want to let you guys know. A perfect system. You will be at best a third of this voting block.