Molly

And he was wearing Zara, which I thought was amazing because we love a bit of a high street win.

And then obviously Heidi had the full face prosthetic.

She had like a porcelain tiara going on and like drapery.

It was quite amazing.

It was almost like she was a curtain.

Yeah.

Yeah.

Amazing.

Amazing to see.

But I thought it was really nice that both people felt that they could

do such a big transformation for the carpet because I think it's so hard when you're doing a red carpet there's so much expectation and these outfits are not necessarily what one would always scream is like a beautiful red carpet outfit they're definitely the opposite of that and it takes

a lot of, I think, courage to do something like that on the red carpet and say, hey, I'm going to do this amazing thing and I'm really going to honour the theme.

And both of them were very much honouring the theme of art, of different body shapes in art, of different age in art, which was Bad Bunny's thing.

Exactly.

And I think in New York, in a Trump world, to be dressed as the Black Madonna, it was a statement and she didn't just interpret the theme.

She said, hey, I'm going to take this name and I'm going to make it my own.

And I think that's amazing.

And she actually went on to say that she felt that it was important in the world we're living right now to wear this costume.

And that's exactly what costume art is about.

So, you know, hit the nail on the head really for the theme there.