Murugiah

with multiple entrances and exits via lift or stairs, you really have to think about what journey you're taking your visitors on, how you're separating the work, and yeah, the feeling of your visitors when they go through this space.

And

The first room that you enter, we have created a directional motion with visitors.

We were thinking about it being a U which can connect.

So we were thinking about, oh, you could send people either side of the stems of the U and take them through to the curve of the U. But we've decided to take them one way and round the other.

The first room is a room of how I build worlds with other people.

while influenced by my own personal work.

So it's the collaborations mixed in with some of my digital personal pieces.

It's a clear direction of, here's what I've been doing personally and digitally at the beginning of this 2019 to 2026 period, and here's how it's worked with collaborators.

Movie posters, book covers...

There's a Magic the Gathering piece in there, which is quite fun.

And then we transition into the second room, which is this giant U-shaped space, the bottom of the U. And there is a very exciting large-scale sculptural piece in there.

And then as we go round the U, we get into the next stem of the U to complete it.

And that is where there is a lot of introspective painting work.

Some of that work that I first contacted the Quentin Blake Centre about to exhibit.

And that work has been expanded in a very big way.

The paintings have gotten bigger.

The detail has gotten finer, and the exploration of theme, of personal growth or personal theme, has gotten even more introspective.

And there are some exciting sculptural works in there too.

So it's a three-room piece, three-room exhibition, and there's a lot of work on show in those spaces.