Niall Donald

And yeah, there is a couple of ways to look at it as a piece of art, as a moral debate.

But no, I thought it was really, really good.

Yes.

That looks as if that's an important letter to me.

Well, it's not, but I suppose it encapsulates a bit of the debate.

And theatre critics have become crime correspondents.

So there's, I mean, and obviously then there is the play The Monk, which takes a different stance.

I mean, there's a directly different stance there, which is not that he wasn't questioned hard enough, but that he, in a sense, is being, I suppose, unfairly

pushed and connected with stuff that he didn't necessarily do.

So there's a totally, the total opposite narrative is there in the play, The Monk.

So this is where we are.

It's a one man show.

I mean, that's the key of it.

And so it's Jerry Hutch speaking to himself.

There's nobody else on stage.

So it's an internal monologue, I suppose, spoken out.

So it's by its nature, it is from Jerry Hutch's perspective.

It can't be anything else.

There's not, you know, somebody playing a guard, popping up and giving his perspective on events.

It's literally a personal story.