Nicole Lapin

I saw it more, you know, like guys would be out guys more four o'clock, whatever.

Then going running in the morning and then like to work.

I mean, I feel like there are some people that are just superhuman.

In that way.

Now that you're so deep with passes in the creator space, what have you learned about

the fees or like where do creators get tripped up by not earning what they, what other creators are potentially earning?

I know you've talked about the idea that, you know, people shouldn't sign these 360 deals with managers.

I don't know why managers wouldn't just utilize the same percentage for the equity.

Like if you got a point or whatever, couldn't they take 20 basis points?

And to be clear, the 360 deals are basically where they're commissioning off stuff that they didn't book for you.

It's all right.

There's this old South Park skit that's like I'm sure the writers were pissed at their agents or like we have if you have all the talent, do all the deals, make all the connections, we'll be the best agents in the world if you if you just handle everything.

Yeah.

I mean, I've gotten myself into bad situations with agents and managers.

It's hard.

And I think that I didn't realize early on, but I did later when I had some weird

stuff happened with agents that tried to commission stuff that they didn't do.

Like I fought back with them.

And so I think sometimes creators think that just because they get a bill, like they have to pay it or just because they got like a scary email.

Not today.