Penn Badgley

of and mixed ages too you know it's like kids and adults and everybody in between and it was it was just like it's not like going to school at all it was it was really really exciting it was um and on opening night just getting that feedback you know the excitement of being on stage you know it creates stakes and structure which everybody i think needs a bit of to thrive like um I loved it.

of and mixed ages too you know it's like kids and adults and everybody in between and it was it was just like it's not like going to school at all it was it was really really exciting it was um and on opening night just getting that feedback you know the excitement of being on stage you know it creates stakes and structure which everybody i think needs a bit of to thrive like um I loved it.

of and mixed ages too you know it's like kids and adults and everybody in between and it was it was just like it's not like going to school at all it was it was really really exciting it was um and on opening night just getting that feedback you know the excitement of being on stage you know it creates stakes and structure which everybody i think needs a bit of to thrive like um I loved it.

I loved it. I actually said that night, like, I want to do this for the rest of my life. You know, that little boy was not aware of all the implications or what it would take or that it was ever feasible, that it was actually delusional and basically not feasible. But yeah, and people very quickly. And why they do this, I don't know, but...

I loved it. I actually said that night, like, I want to do this for the rest of my life. You know, that little boy was not aware of all the implications or what it would take or that it was ever feasible, that it was actually delusional and basically not feasible. But yeah, and people very quickly. And why they do this, I don't know, but...

I loved it. I actually said that night, like, I want to do this for the rest of my life. You know, that little boy was not aware of all the implications or what it would take or that it was ever feasible, that it was actually delusional and basically not feasible. But yeah, and people very quickly. And why they do this, I don't know, but...

If you're in any town close to like a major city, like a satellite for L.A., like there's Seattle, there's Florida, like Tampa. A lot of kids come from Florida. There's other places, maybe Chicago. But if you're in a certain town, people will say, you should try going to L.A. I mean, it's not good advice. It's just not good advice.

If you're in any town close to like a major city, like a satellite for L.A., like there's Seattle, there's Florida, like Tampa. A lot of kids come from Florida. There's other places, maybe Chicago. But if you're in a certain town, people will say, you should try going to L.A. I mean, it's not good advice. It's just not good advice.

If you're in any town close to like a major city, like a satellite for L.A., like there's Seattle, there's Florida, like Tampa. A lot of kids come from Florida. There's other places, maybe Chicago. But if you're in a certain town, people will say, you should try going to L.A. I mean, it's not good advice. It's just not good advice.

Are you going to make it?

Are you going to make it?

Are you going to make it?

Are you going to? Yeah. I mean, it's I'm not.

Are you going to? Yeah. I mean, it's I'm not.

Are you going to? Yeah. I mean, it's I'm not.

But this is the thing, though. It is to a degree a fluke. It just is.

But this is the thing, though. It is to a degree a fluke. It just is.

But this is the thing, though. It is to a degree a fluke. It just is.

I'm not saying there's no talent involved. I'm just saying those of us who make it are something of the exception that proves the rule because the rate of failure in this town is high. It's high. It's high. It's a bit tragically high for people who want to make art and want to do things, want to perform. And it's like, you know. It's to me, it's not just, it's not a meritocracy.

I'm not saying there's no talent involved. I'm just saying those of us who make it are something of the exception that proves the rule because the rate of failure in this town is high. It's high. It's high. It's a bit tragically high for people who want to make art and want to do things, want to perform. And it's like, you know. It's to me, it's not just, it's not a meritocracy.