PJ Richardson

It's like an emotional pendulum of inner chaos all the time.

Just because it's... All the imposter syndrome stuff, even though on paper, I have nothing at this point to be imposter-y about, but it's still there because it's the dance partner would challenge yourself to do something different.

We challenge ourselves as creatives to do something different, but it's wildly uncomfortable.

But at the same time, that's when we get into, especially when things as technical as this or not don't go swimmingly well, like you're like, or do, you're still like, ah.

Until you get to this last chapter.

And you call my friend Josh Pierce, who's an amazing, amazing, amazing C4D and Octane artist and literally bases this beautiful work on meditation and creating environments and

creating landscapes and... Oh, yeah, well, actually, no, I'm lying.

First, I was like, yeah, let's make some CG landscapes.

And then I was like, well, let's take this surface and make it a room and make it basically a neon nightclub.

And I was like, let's make people dance and party outside off at the end.

And then for whatever reason, we changed our mind and I didn't feel like doing that.

And then I still was like, well, I don't have time to do any of this.

And then we call Josh Pearce.

Josh Pearce is an amazing, amazing artist that bases a lot of his work around meditation and landscape and the sense of like

I don't know, calm and serenity.

He does these really beautiful worlds that center on shapes and neon.

We're very, very close friends.

And I very meekly, over lunch, was like, can you help?

And he's like, dude, of course.

And so he went to work and started making his worlds.