Quentin Tarantino

You can edit. No, that makes a tremendous amount of sense. I mean, we're writing stuff that has to hold up on the page.

That has to hold up as writing. Right.

That has to hold up as writing. Right.

That has to hold up as writing. Right.

That's exactly what it's like. I've tried to write. So you open up your mind about – 100%. Just let loose on public transportation. Yes, yes.

That's exactly what it's like. I've tried to write. So you open up your mind about – 100%. Just let loose on public transportation. Yes, yes.

That's exactly what it's like. I've tried to write. So you open up your mind about – 100%. Just let loose on public transportation. Yes, yes.

Is it you on either typing or whatever, is it you doing that – an eight-page thing on transportation? Or is it more likely that you're just pacing around doing a running monologue on public transportation?

Is it you on either typing or whatever, is it you doing that – an eight-page thing on transportation? Or is it more likely that you're just pacing around doing a running monologue on public transportation?

Is it you on either typing or whatever, is it you doing that – an eight-page thing on transportation? Or is it more likely that you're just pacing around doing a running monologue on public transportation?

Well, my little analogy of it is you can't write poetry on a computer.

Well, my little analogy of it is you can't write poetry on a computer.

Well, my little analogy of it is you can't write poetry on a computer.

Well, because I'm going for a rhythm. Right. I'm going for a rhythm. And there's a connection between my chicken scratch and this paper and this pen as opposed to this other thing. And the more unintelligible and only I can read it, the more legit it kind of is. And the thing is, and it's vomit, right? It's absolutely vomit. When you write by hand, you overwrite.

Well, because I'm going for a rhythm. Right. I'm going for a rhythm. And there's a connection between my chicken scratch and this paper and this pen as opposed to this other thing. And the more unintelligible and only I can read it, the more legit it kind of is. And the thing is, and it's vomit, right? It's absolutely vomit. When you write by hand, you overwrite.

Well, because I'm going for a rhythm. Right. I'm going for a rhythm. And there's a connection between my chicken scratch and this paper and this pen as opposed to this other thing. And the more unintelligible and only I can read it, the more legit it kind of is. And the thing is, and it's vomit, right? It's absolutely vomit. When you write by hand, you overwrite.

You way, way overwrite because you're just getting it out there. Then after all the vomit happens, Then you sit down with a typewriter, or then you sit down with a thing, and now you take the vomit and you tame it. You massage it. And now you make the sentences work. And now there's more creativity. This is a bleh. Okay. Now you make it work like a writer. Now you make the page work.

You way, way overwrite because you're just getting it out there. Then after all the vomit happens, Then you sit down with a typewriter, or then you sit down with a thing, and now you take the vomit and you tame it. You massage it. And now you make the sentences work. And now there's more creativity. This is a bleh. Okay. Now you make it work like a writer. Now you make the page work.

You way, way overwrite because you're just getting it out there. Then after all the vomit happens, Then you sit down with a typewriter, or then you sit down with a thing, and now you take the vomit and you tame it. You massage it. And now you make the sentences work. And now there's more creativity. This is a bleh. Okay. Now you make it work like a writer. Now you make the page work.

Now you make the sentences work.