Quentin Tarantino

Yeah.

And the thing is, you know, it's like, you know, my my writing guru as far as like film writing. But I think writing in general was the New Yorker film critic Pauline Kael. And she had one. One rule for film criticism, and I think this could apply to all writing, you have to give the reader a compelling reason to read your writing. It's that fucking simple.

And the thing is, you know, it's like, you know, my my writing guru as far as like film writing. But I think writing in general was the New Yorker film critic Pauline Kael. And she had one. One rule for film criticism, and I think this could apply to all writing, you have to give the reader a compelling reason to read your writing. It's that fucking simple.

And the thing is, you know, it's like, you know, my my writing guru as far as like film writing. But I think writing in general was the New Yorker film critic Pauline Kael. And she had one. One rule for film criticism, and I think this could apply to all writing, you have to give the reader a compelling reason to read your writing. It's that fucking simple.

There has to be a compelling reason for you to engage in reading analysis. And the same thing about talking about cinema. You have to give a compelling reason. Now, yeah, I like the guys. That's a good start. I like their personality. I think they're kind of funny. That's a good start. But there has to be something more than that.

There has to be a compelling reason for you to engage in reading analysis. And the same thing about talking about cinema. You have to give a compelling reason. Now, yeah, I like the guys. That's a good start. I like their personality. I think they're kind of funny. That's a good start. But there has to be something more than that.

There has to be a compelling reason for you to engage in reading analysis. And the same thing about talking about cinema. You have to give a compelling reason. Now, yeah, I like the guys. That's a good start. I like their personality. I think they're kind of funny. That's a good start. But there has to be something more than that.

That's what's exciting. And then when we talk about the movies, we talk about everything that's good about them. We talk about the things that aren't good.

That's what's exciting. And then when we talk about the movies, we talk about everything that's good about them. We talk about the things that aren't good.

That's what's exciting. And then when we talk about the movies, we talk about everything that's good about them. We talk about the things that aren't good.

Honest. Yeah, very honest. And I can be wrong. I don't have to be right about it.

Honest. Yeah, very honest. And I can be wrong. I don't have to be right about it.

Honest. Yeah, very honest. And I can be wrong. I don't have to be right about it.

Yeah.

Yeah.

Yeah.

I don't know if I loved it, but I liked it a lot. I have a ton of those. As a matter of fact, I have so many. But when I was younger particularly, I was the champion of the movie that all the critics put down and said was the fiasco.

I don't know if I loved it, but I liked it a lot. I have a ton of those. As a matter of fact, I have so many. But when I was younger particularly, I was the champion of the movie that all the critics put down and said was the fiasco.

I don't know if I loved it, but I liked it a lot. I have a ton of those. As a matter of fact, I have so many. But when I was younger particularly, I was the champion of the movie that all the critics put down and said was the fiasco.

He was like one of the champions of Ishtar. Ishtar, I championed in 1941.