Rachel Abrams
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The Labor Department's inspector general's office found evidence that Chavez, Jerimer and her staff misused federal funds to pay for luxury hotels, SUV rentals and meals.
Today's episode was reported and produced by Claire Tennis-Getter.
It was also produced by Jess Chung, Ricky Nowetzki, and Lindsay Garrison, with help from Rochelle Bonja and Ben Calhoun.
It was edited by Maria Byrne, Lindsay Garrison, and Michael Benoit, with research help from Susan Lee and Artemis Moshtagian.
Original music by Dan Powell and Alicia Beitube.
Additional music by Marion Lozano, Sophia Landman, Pat McCusker, and Leah Shaw Dameron.
This episode was engineered by Chris Wood.
Special thanks to Farnaz Fasihi, Yara Bayoumi, Yeganeh Torbati, Perrin Beruz, Shirin Hakim, and Adrian Carter.
From The New York Times, I'm Rachel Abrams, and this is The Daily on Sunday.
Today, the reality show Love on the Spectrum, which follows autistic adults as they search for love, has just released its fourth season.
The show has largely attracted praise for its realistic, yet sensitive portrayals of neurodiverse people, and it's become one of the most popular and unlikely hits on Netflix.
Today, Anna Peel, a contributing writer for The Times, talked with the creator and the cast of Love on the Spectrum about the show's origin story, the nuanced criticism, and why it has resonated with so many people.
You are a culture writer, but you are also a reality TV expert, which I like to think of myself as a reality TV expert just based on how much I watch.
But you have actually spent a lot of time reporting and writing extensively about reality TV.