Rachel

Or you could make fun of us.

That'd be fine, too.

We might not air that, but maybe.

Oh, and if you're shy, that's okay.

Just send a text.

We'll respond.

Now I'm going to go check the mailbox for payment while you check out our sponsors.

And then we'll return to this episode of the commercial break.

Three and a half hours did you do in the end?

I did three and a half hours, but only an hour and a half of that was live.

Or I did four hours and only an hour and a half was live.

I did a lot.

Yeah, a lot.

Yeah, and I think that's what is particularly interesting about this in that there's a certain element of you can be trustful when you're no longer actively playing.

It's very easy.

Yeah, exactly.

You are in control now of how your legacy is, how you want that to be told.

where stuff like Drive to Survive, the All or Nothing Amazon Premier League documentaries, any really of the box-to-box production and Netflix deals, which is like the golf and the tennis and everything, when you're dealing with active players,

That's suddenly there's a narrative spun maybe around you that you didn't fully want out there or that's painting you in a light that you don't see yourself in while you are still actively competing at the highest level of your sport.

It's an incredibly different environment.