Richard Osman

There's lots of it as well that Kylie's done herself.

And there's stuff with, you know, Kylie and Jason on holidays.

It's really kind of up close and personal stuff.

But he said, yes, they were filming it.

I think they were filming it in sort of the same way that lots of families just...

film things yeah it was family it's family home movies as it were yeah and I'm sure now everything is so cynically preserved but there was an innocence then but I don't think you're doing I think that's right I'm absolutely certain a bit of them were thinking something extraordinary is happening in our family something extraordinary is happening to our sister it would be nice to document this

but I think not so we could do a documentary on Netflix in 20 years' time.

But funnily enough, lots and lots of bands have lots of footage of themselves, I think because it's quite boring being in a band.

And if you're a musician, usually you have a slightly technical bent as well.

So there's usually somebody, you know, Suede for years, and there was a very good Suede documentary made by Mike Christie, which is on Sky.

And Simon, the drummer, had just filmed everything for years and years and years.

And, you know, I think lots of bands have someone like that to pass the time.

Well, I think also, you know, you're living through sort of a golden era with friends and you're doing something that you never imagined you would be doing and it's sort of extraordinary and you want to document that.

And so long as there's one person in your band or in your entourage or in your crew who is doing that, then that footage exists.

But I do think – Adam Curtis' worries aside –

I mean, the documentaries they're going to be making in 15 years' time about stuff that's happening now, I mean, the footage is going to be insane.

And so it's just in terms of, yeah, maybe it's all kind of... Maybe it's all been put out there.

I've also had a business idea, which is, you know, if you go to a school nativity play...

A school nativity play is probably the most covered theatrical production in the whole of history because you've essentially got an ISO camera on every single performer, including in the course, including every single one of the sheep.

Every single actor is being covered by an individual camera.