Kylie Minogue, Sherlock Holmes & Venezuela Fury
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What is the main topic discussed in this episode?
The rest is entertainment is presented by Octopus Energy. Now, the moment someone becomes properly famous, they stop traveling as a person and they start traveling as a situation.
What insights are shared about the impact of fame on personal travel?
And yes, I am talking about the world of entourages.
It's amazing. Anytime you do a TV show when someone properly famous comes on, you can just have a spread bet as to how many people they're going to bring with them.
Most people don't actually need a bodyguard and a fixer and a straw lady, but not having to start from scratch every single time you get in contact with someone is actually undeniably appealing.
So Octopus Energy, you know, anytime you ever ring any company, you start from scratch right from the beginning again. With Octopus Energy, they recognize your number. And that goes through to a very, very small team of around 10 people who are there to deal with you. So you'll almost certainly be dealing with someone who you've dealt with before. That's the octopus energy entourage that they've built around you.
A great satisfaction not having to tell your story for new every single time, which I think most major celebrities also feel.
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Hello, and welcome to this episode of The Rest Is Entertainment Questions and Answers Edition. I'm Marina Hyde.
And I'm Richard Osman. Hello, everybody. Hello, Marina.
Hello, Richard. How are you?
I'm very, very well. Should we get straight on with our questions? We should.
We've got a lot of questions. We're going to start with the Kylie documentary.
Oh, I love the Kylie documentary.
Yes, I know you love the Kylie documentary. Miranda Reynolds and various others actually want to know, watching the Kylie Netflix documentary, one of the most striking things is all the incredible use of archive footage. It made me wonder who's capturing all of that material at the time and who was thinking about its future value. Is there now a more conscious effort to preserve those moments properly, knowing they could become hugely valuable years later?
It's very true, actually. There's amazing archive in that. And I'm always amazed sometimes when you watch stuff from that kind of era and there's lots of archive because it wasn't an era where we were going around with mobile phones and filming everything. It was the last era when we weren't doing that. And I think any filmmaker who stumbles across, that's why you can do a three-parter about Kylie because you discover that that... If you're Asif Kapadia or someone, your whole job is you take stuff that was on television or on film and you put all that together. But if you can find a subject who has unseen personal footage, that makes for an incredible documentary because you really see a human side of that.
We talked to Michael Hart, who's the director and editor of this. Congratulations, Michael. Brilliant job. And thank you for replying as well. And he said a lot of it, a lot of the footage you see on that was taken by Kylie's brother, Brendan. There's lots of it as well that Kylie's done herself. And there's stuff with, you know, Kylie and Jason on holidays. It's really kind of up close and personal stuff.
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