Richard Osman

It was the last era when we weren't doing that.

And I think any filmmaker who stumbles across, that's why you can do a three-parter about Kylie because you discover that that...

If you're Asif Kapadia or someone, your whole job is you take stuff that was on television or on film and you put all that together.

But if you can find a subject who has unseen personal footage, that makes for an incredible documentary because you really see a human side of that.

We talked to Michael Hart, who's the director and editor of this.

Congratulations, Michael.

Brilliant job.

And thank you for replying as well.

And he said a lot of it, a lot of the footage you see on that was taken by Kylie's brother, Brendan.

There's lots of it as well that Kylie's done herself.

And there's stuff with, you know, Kylie and Jason on holidays.

It's really kind of up close and personal stuff.

But he said, yes, they were filming it.

I think they were filming it in sort of the same way that lots of families just...

film things yeah it was family it's family home movies as it were yeah and I'm sure now everything is so cynically preserved but there was an innocence then but I don't think you're doing I think that's right I'm absolutely certain a bit of them were thinking something extraordinary is happening in our family something extraordinary is happening to our sister it would be nice to document this

but I think not so we could do a documentary on Netflix in 20 years' time.

But funnily enough, lots and lots of bands have lots of footage of themselves, I think because it's quite boring being in a band.

And if you're a musician, usually you have a slightly technical bent as well.

So there's usually somebody, you know, Suede for years, and there was a very good Suede documentary made by Mike Christie, which is on Sky.

And Simon, the drummer, had just filmed everything for years and years and years.