Robert Diament

And she contacted me via her gallery and I ended up meeting her and we became friends.

Yeah, it kind of changed my life.

It's partly why I'm sat here now, really.

Yeah, yeah, yeah, definitely.

It's funny talking about Depeche Mode, you know, because I almost can't think of their music without your visuals.

Like, I feel like it's so interconnected.

And that's such a singular thing.

You know, there are musicians who have worked with many different photographers regularly, but I feel like your connection with people like you two and Depeche Mode in particular.

And I love that era when he was wearing makeup more.

the battle of a gun for instance that i think is a great um great video and that's really it was dave's story that martin wrote about that again is one of my favorite sort of moments in music history i don't know why but i love the songwriting but also the video it's a really it was a really um crucial moment in my life when that came out yeah it has a sort of very meaningful connection to me somebody else that i love sorry to keep going on about all the different people you photographed but kate bush what was she like to work with

I love the fact she's got her eyes closed as well.

It's like she's dreaming.

She's dreaming of something.

I mean, she's just so majestic.

The 70s picture you took was much more like glam, wasn't it?

Oh, was it?

Oh, no, I can see it here.

Oh, yeah.

So she's literally just it's just a straight on portrait.

And if you've been making this film recently, how does that differ as a director?