Roxana Hadadi

You have to have that part of the myth of,

And there's truth to it, but you really want to play up sort of how you – you're not a guy at a bank.

You're a person who went and created something and you could have failed.

And in fact, what they're not saying is, and if I failed at that, I would have gone back to Harvard or my successful father would have rehired me.

But it's still a big part of the story they tell themselves and they tell to other people.

Maybe we go back to Washington and reboot West Wing and maybe... Like a doge bro, Peter?

Just some sort of Washington bro.

We're battling it out.

Thanks, Brittany.

A lot of workplaces do still traffic in this language of family. So your boss could still be seen as your dad. It's almost meta that we're grappling with, like, how do we tell stories about fathers and we're stuck there. telling stories about fathers.

A lot of workplaces do still traffic in this language of family. So your boss could still be seen as your dad. It's almost meta that we're grappling with, like, how do we tell stories about fathers and we're stuck there. telling stories about fathers.

A lot of workplaces do still traffic in this language of family. So your boss could still be seen as your dad. It's almost meta that we're grappling with, like, how do we tell stories about fathers and we're stuck there. telling stories about fathers.

think it's really interesting that of the examples we listed that it's the women who are more successful at this because car me I don't actually think is very successful in defeating his mentors mindset right he is still incredibly hung up on what Joel McHale's character thinks of him right I think that season still ends with car me incredibly in his head and another example is interview with the vampire where

think it's really interesting that of the examples we listed that it's the women who are more successful at this because car me I don't actually think is very successful in defeating his mentors mindset right he is still incredibly hung up on what Joel McHale's character thinks of him right I think that season still ends with car me incredibly in his head and another example is interview with the vampire where

think it's really interesting that of the examples we listed that it's the women who are more successful at this because car me I don't actually think is very successful in defeating his mentors mindset right he is still incredibly hung up on what Joel McHale's character thinks of him right I think that season still ends with car me incredibly in his head and another example is interview with the vampire where

you know, Louis, his lover and his essentially father vampire, Lestat, there is this whole scheme between him and his sister-slash-daughter vampire Claudia, where they're going to kill Lestat and finally be free. And Claudia is the one who is gung-ho about it, and Louis is not. It's Louis' regrets and anxiety and hesitation that allow Lestat to survive.

you know, Louis, his lover and his essentially father vampire, Lestat, there is this whole scheme between him and his sister-slash-daughter vampire Claudia, where they're going to kill Lestat and finally be free. And Claudia is the one who is gung-ho about it, and Louis is not. It's Louis' regrets and anxiety and hesitation that allow Lestat to survive.

you know, Louis, his lover and his essentially father vampire, Lestat, there is this whole scheme between him and his sister-slash-daughter vampire Claudia, where they're going to kill Lestat and finally be free. And Claudia is the one who is gung-ho about it, and Louis is not. It's Louis' regrets and anxiety and hesitation that allow Lestat to survive.

So I think there's something really interesting. I mean, Interview with the Vampire is a period piece, but it's sort of fascinating that we have the women of industry who who are ultimately more comfortable killing off their fathers and stepping into sort of a new future, and the male characters who are a little more hesitant about it. But what does that speak to in viewers?

So I think there's something really interesting. I mean, Interview with the Vampire is a period piece, but it's sort of fascinating that we have the women of industry who who are ultimately more comfortable killing off their fathers and stepping into sort of a new future, and the male characters who are a little more hesitant about it. But what does that speak to in viewers?