Roxana Hadadi

So I think there's something really interesting. I mean, Interview with the Vampire is a period piece, but it's sort of fascinating that we have the women of industry who who are ultimately more comfortable killing off their fathers and stepping into sort of a new future, and the male characters who are a little more hesitant about it. But what does that speak to in viewers?

I mean, I think, yes, we are very much in a time where all of us, I think, are looking through some sort of satisfaction or fulfillment through art. because it feels increasingly impossible to get it like in your real life. You know what I mean? Like it is wage stagnation. It is very difficult to progress. The economy is not great. Can you buy a house?

I mean, I think, yes, we are very much in a time where all of us, I think, are looking through some sort of satisfaction or fulfillment through art. because it feels increasingly impossible to get it like in your real life. You know what I mean? Like it is wage stagnation. It is very difficult to progress. The economy is not great. Can you buy a house?

I mean, I think, yes, we are very much in a time where all of us, I think, are looking through some sort of satisfaction or fulfillment through art. because it feels increasingly impossible to get it like in your real life. You know what I mean? Like it is wage stagnation. It is very difficult to progress. The economy is not great. Can you buy a house?

So like, I think that we are looking at art as a way to like feed into all of that feeling. So theoretically you probably are not going to wage violence against your boss because But I think it feels good to see that waged on your behalf.

So like, I think that we are looking at art as a way to like feed into all of that feeling. So theoretically you probably are not going to wage violence against your boss because But I think it feels good to see that waged on your behalf.

So like, I think that we are looking at art as a way to like feed into all of that feeling. So theoretically you probably are not going to wage violence against your boss because But I think it feels good to see that waged on your behalf.

Is that a... I don't know if we want that answer, Brittany. I mean, okay, here's what I will say.

Is that a... I don't know if we want that answer, Brittany. I mean, okay, here's what I will say.

Is that a... I don't know if we want that answer, Brittany. I mean, okay, here's what I will say.

Is that a... I don't know if we want that answer, Brittany. I mean, okay, here's what I will say. That question makes me think of the one season long FX series, Why the Last Man.

Is that a... I don't know if we want that answer, Brittany. I mean, okay, here's what I will say. That question makes me think of the one season long FX series, Why the Last Man.

Is that a... I don't know if we want that answer, Brittany. I mean, okay, here's what I will say. That question makes me think of the one season long FX series, Why the Last Man.

And, you know, which questioned what would happen if there were some sort of plague or disease that killed off men. And how would women recreate the world? Would it be like those memes that are like, there'd be no war if there were only women? Or would it actually, you know, be terrible and the same sort of like power struggle that we live through now?

And, you know, which questioned what would happen if there were some sort of plague or disease that killed off men. And how would women recreate the world? Would it be like those memes that are like, there'd be no war if there were only women? Or would it actually, you know, be terrible and the same sort of like power struggle that we live through now?

And, you know, which questioned what would happen if there were some sort of plague or disease that killed off men. And how would women recreate the world? Would it be like those memes that are like, there'd be no war if there were only women? Or would it actually, you know, be terrible and the same sort of like power struggle that we live through now?

and I think the show really came down on the side of we would still have the same power struggle that we have now because you know as we've all been saying in this conversation like really what these are questions of are questions of resources and access and power and you can like remove individual players from that I think but unless you're going to like dismantle the system that allows those figures unless you're like

and I think the show really came down on the side of we would still have the same power struggle that we have now because you know as we've all been saying in this conversation like really what these are questions of are questions of resources and access and power and you can like remove individual players from that I think but unless you're going to like dismantle the system that allows those figures unless you're like

and I think the show really came down on the side of we would still have the same power struggle that we have now because you know as we've all been saying in this conversation like really what these are questions of are questions of resources and access and power and you can like remove individual players from that I think but unless you're going to like dismantle the system that allows those figures unless you're like

getting rid of capitalism and inherited wealth, I don't think you're really going to fundamentally change. so that's why I think like the shows that are the most cathartic, like those moments are cathartic, right? Like, Tyrion killing Tywin is great.