Russell Crowe

There's a funny thing.

It's like a recording where he's trying to do a voiceover for Norwegian salmon or something.

He's getting more and more pissed off with the young producer who's trying to get him to read it in a certain way.

Have you seen those little footage bits of the –

Who's the tilting at windmills fellow?

Don Quixote.

Yeah, he went to Mexico or somewhere and he sort of started shooting little bits and pieces for potentially a Don Quixote movie.

But it's just madness.

It's like there's nothing in there that could actually be in a film.

Yeah, he's a bloke.

We'll get a bloke with a donkey.

We'll have him walking over there.

We'll shoot that.

But it's like there's nothing cohesive in it that you could make a movie from.

Potentially, right?

Because you would think that Citizen Kane is your passport to a lifetime of being financed for whatever idea you want to put onto film.

A little bit.

A little bit.

We've got way too much power in the hands of media moguls.

And as we go on, that reduction of opinion just keeps happening.