Ryan Broderick

Right.

Okay.

sallow 120 days of sodom or whatever uh a serbian film dog tooth i think we didn't do human centipede because we're both we were all like that's kind of lame like this one isn't really going to bother us yeah and magic mike yeah um

But what was so like kind of nice about doing that in a college setting at that time was like actually like learning to appreciate and understand transgressive art and like understand the point of it.

And that is why I find it extremely tedious if I'm in a room and someone's like, what if the whole world was pedophiles?

I'm like, nah, man, what if my stomach was a VCR?

What if I was James Woods and I had to cut Debbie Harry's nipples off because my stomach was a VCR?

What if I was sexually attracted to car crashes?

Like the world is so much larger and more interesting when you actually sort of have a barometer for like genuinely upsetting weird art.

And this is boring.

Right.

And so like all of these people in Silicon Valley who are doing all this, like to me, I just look at them and I think you have no awareness of like human history before you because all of these questions have been asked online.

Art has been made about them.

Like people have been writing about this.

These are not new.

They're not interesting.

And because you've slapped AI, it's sort of the end goal of your philosophy.

You feel like it has sort of a renewed interest, but it doesn't.

There's nothing there.

And I think post-COVID that's becoming clear that it's having diminishing returns for these people.