Ryan Coogler

You know, like, like almost like a stream of consciousness and left it like that in the script for, for, you know, for when my partner's ready and everybody ready to know to, to, to really, you know, you know, read that, read that differently, you know?

I mean, it was everybody working like in concert with each other.

We brought in Akamon Jones, who's a choreographer, works a lot with Usher Raymond.

The choreographer like Pitch Perfect.

And he did all the Panther films.

I actually met him through Chadwick Boseman.

Rest in peace.

And, you know, every department was in on that.

Like from Hannah Buechler to our visual effects supervisors, Michael Rowland and James Alexander.

They're all archipelago cinematographers, obviously.

We had a brilliant steadicam operator.

Yeah, it's a kid named Rennie.

Haitian-American kid, ex-football player.

His shoulder must have been hurting in that one.

Yeah, he used to be a strong dude and sharp.

And everybody had to work together, the actors, the incredible dancers.

You know, Ruth Carter with our costumes.

Yeah, beautiful.

And it was, it was like, that was the most team effort, uh, of everything that we, that we did that, that, that scene, as well as it's, it's, uh, I used to call it the twin counterpart, which is the step dancing scene that happens.

Yeah.