Ryan Reynolds

And this is after they said no to 18 different things, including a movie where Deadpool is after the hunter who killed Bambi's mom. They said, we don't touch Bambi. And I said, you said you don't touch Mickey Mouse.

And this is after they said no to 18 different things, including a movie where Deadpool is after the hunter who killed Bambi's mom. They said, we don't touch Bambi. And I said, you said you don't touch Mickey Mouse.

Yeah, we did. Yeah. But that's a part of our responsibility, too, is people that produce the movie and we go write the movie and we're back to all those things. It's like making sure it works because I've done movies that are, you know, small films that are in Sundance and all that stuff. And I loved making them. And they were hard to make.

Yeah, we did. Yeah. But that's a part of our responsibility, too, is people that produce the movie and we go write the movie and we're back to all those things. It's like making sure it works because I've done movies that are, you know, small films that are in Sundance and all that stuff. And I loved making them. And they were hard to make.

Yeah, we did. Yeah. But that's a part of our responsibility, too, is people that produce the movie and we go write the movie and we're back to all those things. It's like making sure it works because I've done movies that are, you know, small films that are in Sundance and all that stuff. And I loved making them. And they were hard to make.

And, you know, they would get great reviews and everything, but then it would just, you'd find out later, just bankrupted whatever little tiny studio made it. And I thought, I'm going to be out of work. They are getting out of work. I got to find a, I got to find a job that fits. So it, it's a win-win, you know, if I want to do it for the rest of my life, I'm gonna have to figure that out.

And, you know, they would get great reviews and everything, but then it would just, you'd find out later, just bankrupted whatever little tiny studio made it. And I thought, I'm going to be out of work. They are getting out of work. I got to find a, I got to find a job that fits. So it, it's a win-win, you know, if I want to do it for the rest of my life, I'm gonna have to figure that out.

And, you know, they would get great reviews and everything, but then it would just, you'd find out later, just bankrupted whatever little tiny studio made it. And I thought, I'm going to be out of work. They are getting out of work. I got to find a, I got to find a job that fits. So it, it's a win-win, you know, if I want to do it for the rest of my life, I'm gonna have to figure that out.

And then it grew to all of it. Like, All the other things. I loved commercials when I was a kid. Like, if you saw a good commercial, it stayed with you.

And then it grew to all of it. Like, All the other things. I loved commercials when I was a kid. Like, if you saw a good commercial, it stayed with you.

And then it grew to all of it. Like, All the other things. I loved commercials when I was a kid. Like, if you saw a good commercial, it stayed with you.

You know, and I was one of those kids like you probably were. You're sitting there two inches from the TV and just trying to stay up as late as humanly possible. Because TVs back then ran on plutonium. Oh, my God.

You know, and I was one of those kids like you probably were. You're sitting there two inches from the TV and just trying to stay up as late as humanly possible. Because TVs back then ran on plutonium. Oh, my God.

You know, and I was one of those kids like you probably were. You're sitting there two inches from the TV and just trying to stay up as late as humanly possible. Because TVs back then ran on plutonium. Oh, my God.

He's 22.

He's 22.

He's 22.

Really, the biggest change for me was Green Lantern because it didn't work. I watched a studio throw money at the problem after problem after problem instead of creating. Constraint is the greatest creative tool in the world. And that's why I like commercials because there's an economy to them. You have to make them quick. You have to be not precious about them.

Really, the biggest change for me was Green Lantern because it didn't work. I watched a studio throw money at the problem after problem after problem instead of creating. Constraint is the greatest creative tool in the world. And that's why I like commercials because there's an economy to them. You have to make them quick. You have to be not precious about them.

Really, the biggest change for me was Green Lantern because it didn't work. I watched a studio throw money at the problem after problem after problem instead of creating. Constraint is the greatest creative tool in the world. And that's why I like commercials because there's an economy to them. You have to make them quick. You have to be not precious about them.