Sam Morril

With each bit, there's like, you can end it here, or you keep pushing.

I saw you set a clip that was great that was like, just keep pushing for one or two more lines after.

Which I think about often.

But I saw Bird doing New Material Night, which is so cool, because no matter how big you get in comedy, he's still like, notepad, he goes...

All right, let's see if this works, and then just puts it in his pocket.

It's like, no matter how big, it's still the same shit you'd see at an open market.

Obviously, he's Bill Burr.

He's a genius, but the art form of it is still so simple.

And then the segue into the new joke hits, and you're like, I wrote this just now.

Yes!

But the joke didn't hit?

That was a little humidity in there.

That was like a horror film fart right there.

But it is so funny how important that one sentence is mentally for yourself to be like, I'm going to try some new shit.

Huge.

Huge.

Because if you didn't say that, it's just bombing.

Is there one bit you guys have just never been able to get to work, has just always been on the back burner, and then every couple years you bring it out of the cage?

I'll stick with a bit.

And just keep workshopping it each night.