Samara Cyn

Luck, the distant cousin of design.

A drug with hard withdrawals.

A little from time to time is okay, but I prefer intention.

Right.

Too much sticky, too much stretchy.

Too much people pleasing.

Too much say it with a smile.

Too much.

I try to lean into where my voice is at at the moment when I'm creating.

A lot of times I write outside of my range for that day and I have to revisit.

Nomad was very difficult for me, honestly.

There wasn't a lot of range happening on the song, but getting that smooth vocal out,

After a long day, my talking voice is very raspy.

And so like when I sing, a lot of times it's very raspy as well.

The goal with Nomad was for it to be sweet.

It was like it's supposed to be a sweet song.

And so that like soft spoken version of myself was, you know, like, let's let her shine a little bit and let's talk about something real.

Yeah.

Me and Sherwin have this thing where if you can't get the note out or you're having a hard time getting through the verse or whatever, we take a knee.

And I don't know why that works, but sometimes when you just take a knee and you lock in, you get the thing.