Samara Cyn

And quiet and the build came pretty like naturally, you know, it's like, okay, get this build going.

But it just, it needed to go somewhere bigger.

And I, again, it's like, it immediately felt like the intro.

And so I'm like, this is going to have to represent, you

the project in a way like I think we just need to let it be like loud and ridiculous at the end and so once we got the drum and bass sent in by Lucas this guy named Lucas so it just was like a drum loop um live drum loop and Para like got the drum loop and we were like that's exactly yep okay like immediately the whole room like kind of confirmed the thing and then it snowballed from there into being like what it was um

I had gotten this, it's like a pill bottle and it says like writer's block relief and you can open it.

And in the pills, there are little like scripts or like prompts that you can like read through to get ideas and stuff.

And a lot of them were really corny, but some of them were actually really cool challenges.

And do you remember any of them?

Like some of the corny ones were like, you know, write a song about your pet.

I don't know, there was other stuff, too.

Like, write a song about, like, write a love song to an object or, like, that type of stuff, which was kind of cool.

But there were two that were really interesting that we actually ended up trying to, like, utilize.

And one was try to write a song without any pronouns.

I, we, they, he, her, anything.

No pronouns at all, which is, like, a lot of times when you're writing, you're writing about someone and, like, or myself or I, da-da-da-da-da.

So that was really interesting to try to, like, find...

A song with like less naming of self, like it's just about something.

That's how we got the outro.

But the first one was write a song with 20 words or less.