Sarah Snook

It wasn't like a Dickens or anything like that. It was meant to be read and in episodic form in a way. So it's somewhat difficult to turn that into dialogue as well as into something that is accessible to an audience now. And part of creating that has been to keep the wit that Oscar Wilde has inherently in that text.

I think because I personally don't have any experience by association or proximity with wealth at that level. But I also didn't understand the show so much. And I didn't at that time want to be a secondary kind of handbag character to the men in the show who were going to be I think billions had just come out and I was like, oh yeah, I can see that.

I think because I personally don't have any experience by association or proximity with wealth at that level. But I also didn't understand the show so much. And I didn't at that time want to be a secondary kind of handbag character to the men in the show who were going to be I think billions had just come out and I was like, oh yeah, I can see that.

I think because I personally don't have any experience by association or proximity with wealth at that level. But I also didn't understand the show so much. And I didn't at that time want to be a secondary kind of handbag character to the men in the show who were going to be I think billions had just come out and I was like, oh yeah, I can see that.

It's straight white men in business and there's no room for me there. So I don't think I'll have a very interesting through line and maybe I don't think I'm going to get this role anyway. So I don't want to audition. And my friend, I was auditioning for something else and already had hair and makeup on, which is such an effort when you're doing self-tapes.

It's straight white men in business and there's no room for me there. So I don't think I'll have a very interesting through line and maybe I don't think I'm going to get this role anyway. So I don't want to audition. And my friend, I was auditioning for something else and already had hair and makeup on, which is such an effort when you're doing self-tapes.

It's straight white men in business and there's no room for me there. So I don't think I'll have a very interesting through line and maybe I don't think I'm going to get this role anyway. So I don't want to audition. And my friend, I was auditioning for something else and already had hair and makeup on, which is such an effort when you're doing self-tapes.

I don't know, other people might not think it is, but I find it a real effort doing a self-tape in the first place. But I was doing a self-tape for something else. And so my friend did just, just read the lines, just, let's just have fun. Let's just try and do it. And I am forever grateful for her.

I don't know, other people might not think it is, but I find it a real effort doing a self-tape in the first place. But I was doing a self-tape for something else. And so my friend did just, just read the lines, just, let's just have fun. Let's just try and do it. And I am forever grateful for her.

I don't know, other people might not think it is, but I find it a real effort doing a self-tape in the first place. But I was doing a self-tape for something else. And so my friend did just, just read the lines, just, let's just have fun. Let's just try and do it. And I am forever grateful for her.

I don't know. I mean, there probably was a level of insouciance or attitude about not feeling right for this and like, you know, without using it as a succession word, F you for making me audition for this when I, you know, I'm not right for this. Like that's a bit shiv to be honest.

I don't know. I mean, there probably was a level of insouciance or attitude about not feeling right for this and like, you know, without using it as a succession word, F you for making me audition for this when I, you know, I'm not right for this. Like that's a bit shiv to be honest.

I don't know. I mean, there probably was a level of insouciance or attitude about not feeling right for this and like, you know, without using it as a succession word, F you for making me audition for this when I, you know, I'm not right for this. Like that's a bit shiv to be honest.

As Tom says.

As Tom says.

As Tom says.

Are there similarities? Yeah. Yeah, there are similarities. I mean, very different in terms of the specificity required for Dorian and the fluidity allowed in succession. But something about the proximity of cameras and the kind of subtextual or subconscious awareness of them as a character is in both Succession and Dorian has been really useful to have experienced that in Succession.

Are there similarities? Yeah. Yeah, there are similarities. I mean, very different in terms of the specificity required for Dorian and the fluidity allowed in succession. But something about the proximity of cameras and the kind of subtextual or subconscious awareness of them as a character is in both Succession and Dorian has been really useful to have experienced that in Succession.

Are there similarities? Yeah. Yeah, there are similarities. I mean, very different in terms of the specificity required for Dorian and the fluidity allowed in succession. But something about the proximity of cameras and the kind of subtextual or subconscious awareness of them as a character is in both Succession and Dorian has been really useful to have experienced that in Succession.

It was never like they are definitely a character and we're going to dramaturgically make them feel like that. But just the presence of, you know, like Gregor, one of the camera operators, at one point he was on the other side of the couch I was doing the scene. He's behind my back on the other side of the couch. I look over. Yep, he's still behind me on the other side of the couch.