Sarah Snook

I can't interact with it in that way. It really forces you to listen to what the person is saying, to what I'm saying, and forces you to be really imaginative, really engage with your imagination and how that makes you feel and what. what words are springing out to you tonight and what parts of the tone or how it's been delivered are springing out.

I can't interact with it in that way. It really forces you to listen to what the person is saying, to what I'm saying, and forces you to be really imaginative, really engage with your imagination and how that makes you feel and what. what words are springing out to you tonight and what parts of the tone or how it's been delivered are springing out.

And maybe that's come from, yeah, listening to audiobooks when I was a kid a lot and having that imagination sustained in that way.

And maybe that's come from, yeah, listening to audiobooks when I was a kid a lot and having that imagination sustained in that way.

And maybe that's come from, yeah, listening to audiobooks when I was a kid a lot and having that imagination sustained in that way.

Yeah, they'll just keep going. They're the worst kind of actors that I'm working with. They don't wait for you. They don't wait for me at all. They'll just barrel on, and if I don't keep up, it's my fault. Yeah, I mean, the hardest one of that is the Lord Henry...

Yeah, they'll just keep going. They're the worst kind of actors that I'm working with. They don't wait for you. They don't wait for me at all. They'll just barrel on, and if I don't keep up, it's my fault. Yeah, I mean, the hardest one of that is the Lord Henry...

Yeah, they'll just keep going. They're the worst kind of actors that I'm working with. They don't wait for you. They don't wait for me at all. They'll just barrel on, and if I don't keep up, it's my fault. Yeah, I mean, the hardest one of that is the Lord Henry...

sequence in the dinner party scene where there's seven and you're playing all those seven other guests yeah how many is it dorian two three four five six six i think um yeah i'm all of the it's all me you're playing all the other guests yes but you know like i don't I don't think of them as me at all.

sequence in the dinner party scene where there's seven and you're playing all those seven other guests yeah how many is it dorian two three four five six six i think um yeah i'm all of the it's all me you're playing all the other guests yes but you know like i don't I don't think of them as me at all.

sequence in the dinner party scene where there's seven and you're playing all those seven other guests yeah how many is it dorian two three four five six six i think um yeah i'm all of the it's all me you're playing all the other guests yes but you know like i don't I don't think of them as me at all.

Yeah, I mean, it is a lot of fun to do. And the narrator really is, in a sense, Oscar Wilde. You know, I'm not playing him as a character, but there is his energy and his wit is definitely infused naturally into that role because it is the character based on the prose of the book. You know, Kip's turned a Victorian novel into... a play and a Victorian novel that wasn't meant to be read out loud.

Yeah, I mean, it is a lot of fun to do. And the narrator really is, in a sense, Oscar Wilde. You know, I'm not playing him as a character, but there is his energy and his wit is definitely infused naturally into that role because it is the character based on the prose of the book. You know, Kip's turned a Victorian novel into... a play and a Victorian novel that wasn't meant to be read out loud.

Yeah, I mean, it is a lot of fun to do. And the narrator really is, in a sense, Oscar Wilde. You know, I'm not playing him as a character, but there is his energy and his wit is definitely infused naturally into that role because it is the character based on the prose of the book. You know, Kip's turned a Victorian novel into... a play and a Victorian novel that wasn't meant to be read out loud.

It wasn't like a Dickens or anything like that. It was meant to be read and in episodic form in a way. So it's somewhat difficult to turn that into dialogue as well as into something that is accessible to an audience now. And part of creating that has been to keep the wit that Oscar Wilde has inherently in that text.

It wasn't like a Dickens or anything like that. It was meant to be read and in episodic form in a way. So it's somewhat difficult to turn that into dialogue as well as into something that is accessible to an audience now. And part of creating that has been to keep the wit that Oscar Wilde has inherently in that text.

It wasn't like a Dickens or anything like that. It was meant to be read and in episodic form in a way. So it's somewhat difficult to turn that into dialogue as well as into something that is accessible to an audience now. And part of creating that has been to keep the wit that Oscar Wilde has inherently in that text.

I think because I personally don't have any experience by association or proximity with wealth at that level. But I also didn't understand the show so much. And I didn't at that time want to be a secondary kind of handbag character to the men in the show who were going to be I think billions had just come out and I was like, oh yeah, I can see that.

I think because I personally don't have any experience by association or proximity with wealth at that level. But I also didn't understand the show so much. And I didn't at that time want to be a secondary kind of handbag character to the men in the show who were going to be I think billions had just come out and I was like, oh yeah, I can see that.

I think because I personally don't have any experience by association or proximity with wealth at that level. But I also didn't understand the show so much. And I didn't at that time want to be a secondary kind of handbag character to the men in the show who were going to be I think billions had just come out and I was like, oh yeah, I can see that.