Sarah Snook

sensation of each character sits somewhere differently in my body.

sensation of each character sits somewhere differently in my body.

I think the process of finding it in the body with the voice and the physicality really helped because when I come to perform them you know the Basil for instance is very the tone of his voice or the The temper of his voice, perhaps, is quite brittle.

I think the process of finding it in the body with the voice and the physicality really helped because when I come to perform them you know the Basil for instance is very the tone of his voice or the The temper of his voice, perhaps, is quite brittle.

I think the process of finding it in the body with the voice and the physicality really helped because when I come to perform them you know the Basil for instance is very the tone of his voice or the The temper of his voice, perhaps, is quite brittle.

Basil Hallward, yeah. He's the artist. So he sort of sits quite on the gum ridge, just behind the teeth. And there's something centralized, I guess. Like, it's very focused down and right. It's hard to explain, actually, now that I'm thinking about it. And there's quite an obvious clue for Lord Henry where... the narrator says, said Lord Henry languidly.

Basil Hallward, yeah. He's the artist. So he sort of sits quite on the gum ridge, just behind the teeth. And there's something centralized, I guess. Like, it's very focused down and right. It's hard to explain, actually, now that I'm thinking about it. And there's quite an obvious clue for Lord Henry where... the narrator says, said Lord Henry languidly.

Basil Hallward, yeah. He's the artist. So he sort of sits quite on the gum ridge, just behind the teeth. And there's something centralized, I guess. Like, it's very focused down and right. It's hard to explain, actually, now that I'm thinking about it. And there's quite an obvious clue for Lord Henry where... the narrator says, said Lord Henry languidly.

So there's quite an expansive quality to Lord Henry. There's something that's very somewhat like molasses, like he's very juicy. And also something about aristocratic British men who are able to hold court and speak widely on subjects. Lord Henry has quite a deep voice, but they actually have quite a range of pitch in their voices.

So there's quite an expansive quality to Lord Henry. There's something that's very somewhat like molasses, like he's very juicy. And also something about aristocratic British men who are able to hold court and speak widely on subjects. Lord Henry has quite a deep voice, but they actually have quite a range of pitch in their voices.

So there's quite an expansive quality to Lord Henry. There's something that's very somewhat like molasses, like he's very juicy. And also something about aristocratic British men who are able to hold court and speak widely on subjects. Lord Henry has quite a deep voice, but they actually have quite a range of pitch in their voices.

And if you listen to Stephen Fry, he's talking up right at the top level of his pitch and then right down at the bottom in the same sentence. And it really holds your attention. And that was something we really wanted to find for Lord Henry.

And if you listen to Stephen Fry, he's talking up right at the top level of his pitch and then right down at the bottom in the same sentence. And it really holds your attention. And that was something we really wanted to find for Lord Henry.

And if you listen to Stephen Fry, he's talking up right at the top level of his pitch and then right down at the bottom in the same sentence. And it really holds your attention. And that was something we really wanted to find for Lord Henry.

It absolutely was. It was such a strange thing to have as a reference, like a real body reference, really, from my childhood of Roald Dahl's Revolting Rhymes, which, weirdly enough, I think Miriam Margulies

It absolutely was. It was such a strange thing to have as a reference, like a real body reference, really, from my childhood of Roald Dahl's Revolting Rhymes, which, weirdly enough, I think Miriam Margulies

It absolutely was. It was such a strange thing to have as a reference, like a real body reference, really, from my childhood of Roald Dahl's Revolting Rhymes, which, weirdly enough, I think Miriam Margulies

read one of the characters or one of the poems and when I met her I didn't realize this until I'd until I was thinking about the Roald Dahl's uh element of it all and went back I was like oh man I should have told her that she was such an inspiration to me as a kid through her voice through the the ability like how her storytelling and characters really spoke to me when I was a kid

read one of the characters or one of the poems and when I met her I didn't realize this until I'd until I was thinking about the Roald Dahl's uh element of it all and went back I was like oh man I should have told her that she was such an inspiration to me as a kid through her voice through the the ability like how her storytelling and characters really spoke to me when I was a kid

read one of the characters or one of the poems and when I met her I didn't realize this until I'd until I was thinking about the Roald Dahl's uh element of it all and went back I was like oh man I should have told her that she was such an inspiration to me as a kid through her voice through the the ability like how her storytelling and characters really spoke to me when I was a kid