Savan Kotecha

Um, and yeah, and it just came together and then, you know, and, and with the track and the producer thing, I mean, really Ilya and Max then took that and they spent like, I think two weeks on that production, like really honing it in. We, we had looked up our process on Into You, me and Ilya the other day. Um, and we realized the composition of Into You took a month. So it took one month.

Um, and yeah, and it just came together and then, you know, and, and with the track and the producer thing, I mean, really Ilya and Max then took that and they spent like, I think two weeks on that production, like really honing it in. We, we had looked up our process on Into You, me and Ilya the other day. Um, and we realized the composition of Into You took a month. So it took one month.

Um, and yeah, and it just came together and then, you know, and, and with the track and the producer thing, I mean, really Ilya and Max then took that and they spent like, I think two weeks on that production, like really honing it in. We, we had looked up our process on Into You, me and Ilya the other day. Um, and we realized the composition of Into You took a month. So it took one month.

We had so many different versions of pre-chorus. The chorus was somewhat usually there, but the verse and the pre to make it what it was and all those things like the songwriting. It wasn't every day for a month, but it was about a month in between when we started and when we finished the song.

We had so many different versions of pre-chorus. The chorus was somewhat usually there, but the verse and the pre to make it what it was and all those things like the songwriting. It wasn't every day for a month, but it was about a month in between when we started and when we finished the song.

We had so many different versions of pre-chorus. The chorus was somewhat usually there, but the verse and the pre to make it what it was and all those things like the songwriting. It wasn't every day for a month, but it was about a month in between when we started and when we finished the song.

And again, it's like, I always try and preach this to artists and producers that now like it's this new generation of artists come and they're like, I want a song like Into You. It's like, yeah, but you have to then be willing to put the work in on an Into You. Because it was a lot of work that went on in Into You. It wasn't not just the production, but the songwriting of Into You.

And again, it's like, I always try and preach this to artists and producers that now like it's this new generation of artists come and they're like, I want a song like Into You. It's like, yeah, but you have to then be willing to put the work in on an Into You. Because it was a lot of work that went on in Into You. It wasn't not just the production, but the songwriting of Into You.

And again, it's like, I always try and preach this to artists and producers that now like it's this new generation of artists come and they're like, I want a song like Into You. It's like, yeah, but you have to then be willing to put the work in on an Into You. Because it was a lot of work that went on in Into You. It wasn't not just the production, but the songwriting of Into You.

There was tweaking of melodies, living with something for a week or a day. I mean, I have all the voice notes of so many different iterations of what the verse melody is. And it was a very crafted song. And a lot of work went into it. It wasn't like a three-hour song. It was like... It was a lot of challenging every melody and every inch of the track.

There was tweaking of melodies, living with something for a week or a day. I mean, I have all the voice notes of so many different iterations of what the verse melody is. And it was a very crafted song. And a lot of work went into it. It wasn't like a three-hour song. It was like... It was a lot of challenging every melody and every inch of the track.

There was tweaking of melodies, living with something for a week or a day. I mean, I have all the voice notes of so many different iterations of what the verse melody is. And it was a very crafted song. And a lot of work went into it. It wasn't like a three-hour song. It was like... It was a lot of challenging every melody and every inch of the track.

I know they did that with the track, every sound they experimented with. So there you go.

I know they did that with the track, every sound they experimented with. So there you go.

I know they did that with the track, every sound they experimented with. So there you go.

So God is a Woman, I think Ari's told this story as well. I had this chorus. I have the voice note here if you want to hear it. I actually have it in my phone.

So God is a Woman, I think Ari's told this story as well. I had this chorus. I have the voice note here if you want to hear it. I actually have it in my phone.

So God is a Woman, I think Ari's told this story as well. I had this chorus. I have the voice note here if you want to hear it. I actually have it in my phone.

That'd be amazing. It is right here because I saved it for you.

That'd be amazing. It is right here because I saved it for you.