Sean Fennessey

Sometimes you mention you shot chronologically, but that's not common.

I've been riding with Kyle since Veronica Mars, so it's so interesting to watch him become like a legit indie movie star.

And I think you're somewhat responsible for kickstarting that with Dinner in America.

He's been doing some really cool work.

Yeah.

Why did you first cast him?

What is he like now?

Has anything changed?

That's fascinating.

Did you guys watch any movies before you made this?

Was there any like reference points or touch points that you were like, this is what we're looking for?

there's no weak links and I feel like almost like Kira's almost like the Dennis Hopper of that you know kind of has like that really nice long tasty sequence with Christopher Walken that's a great sequence yeah so tell me a little bit about Caroline for you because she's it's pretty restrained like what is going on with her it takes a long time to kind of figure out what is maybe motivating her how she's gotten to this place in her life like

as an actor, especially if you're shooting chronologically, like how do you do that?

How do you like hide something and then wait?

And then, you know, you mentioned Kira and you guys have a very emotional confrontation later in the movie.

I don't know.

Tell me about building that out.

What about the the music, which is like amazingly well chosen, I will say.

I would love to take credit for that.

So did you just say to him like –