Sean Hayes

And do you have that kind of clarity and perspective?

Like that was a version of Jason Momoa and now this is a version of Jason.

And they're both me and I'm just going through it.

You start to care a little less about what other people perceive you as and the artifice and the efforts you make to sort of convince those that you might be X, Y, or Z. And it's like, no, I'm just A, B, or C. You know, like, this is just me.

And if you see it, great.

If you don't, that's okay too.

It's more, most important is that number one understands who number one is and that I'm okay with that.

There's only one of me and-

I hope you guys dig it.

If you don't, there's other people to talk to.

Right.

It's difficult.

It's like you're this huge presence.

You're in this big, beautiful God frame.

You're a very good-looking man too.

And inside of that is somebody who not only wants to do comedy but can also do very subtle, nuanced, dramatic acting as well.

How do you, like, you know, you obviously have to account for how you come across, and so they can only put you in those types of characters, and those characters aren't historically super funny or super sensitive.

Yeah, now you've got the juice where I'm sure you can go to your team and say, hey, so I'd like to do parts like X, Y, or Z. Can you go out there and see?

But while you're busy doing your job, they can do theirs trying to bring you options in those areas because you've got the juice to where like a part is written not for a guy with your physical type, but you've got enough juice now where they can actually change what that actor might be, what that character might look like without changing any of the dialogue, you know?

Yeah.