Seth Rogen

No cuts. One long uninterrupted.

No cuts. One long uninterrupted.

No cuts. One long uninterrupted.

No one notices how it's just for the filmmakers to get off on their own technique. Yes.

No one notices how it's just for the filmmakers to get off on their own technique. Yes.

No one notices how it's just for the filmmakers to get off on their own technique. Yes.

Well, in the whole show, every scene is a winner on the whole show. There's a few episodes where it's maybe only four or five shots throughout the whole thing.

Well, in the whole show, every scene is a winner on the whole show. There's a few episodes where it's maybe only four or five shots throughout the whole thing.

Well, in the whole show, every scene is a winner on the whole show. There's a few episodes where it's maybe only four or five shots throughout the whole thing.

Yeah, we directed the whole show. We wrote the show knowing it would be oners. It wasn't like a thing we just decided when we showed up. And for that episode especially, we had to really block basically the entire episode and the days leading up to it, but not with the actors.

Yeah, we directed the whole show. We wrote the show knowing it would be oners. It wasn't like a thing we just decided when we showed up. And for that episode especially, we had to really block basically the entire episode and the days leading up to it, but not with the actors.

Yeah, we directed the whole show. We wrote the show knowing it would be oners. It wasn't like a thing we just decided when we showed up. And for that episode especially, we had to really block basically the entire episode and the days leading up to it, but not with the actors.

So like me and Evan, who I direct with, and the writers, we only had access to this house for like two days before we started shooting it. And so... As they were rigging the house, we just would walk through it and really try to block it. What we would do is we could only actually shoot for around an hour a day because of the light. So we could only shoot between 5 and 6 p.m. basically.

So like me and Evan, who I direct with, and the writers, we only had access to this house for like two days before we started shooting it. And so... As they were rigging the house, we just would walk through it and really try to block it. What we would do is we could only actually shoot for around an hour a day because of the light. So we could only shoot between 5 and 6 p.m. basically.

So like me and Evan, who I direct with, and the writers, we only had access to this house for like two days before we started shooting it. And so... As they were rigging the house, we just would walk through it and really try to block it. What we would do is we could only actually shoot for around an hour a day because of the light. So we could only shoot between 5 and 6 p.m. basically.

So everyone would show up in the morning and we would rehearse whatever that day's chunk was. And they were eight or nine minute chunks. There's very little trickery in that episode.

So everyone would show up in the morning and we would rehearse whatever that day's chunk was. And they were eight or nine minute chunks. There's very little trickery in that episode.

So everyone would show up in the morning and we would rehearse whatever that day's chunk was. And they were eight or nine minute chunks. There's very little trickery in that episode.

That's like a trick we would do a few times. That's what Kristen said. Well, it'd be on the hood. There's a lot of sleight of hand involved. This is a cinephiles fucking whack-off session. We were geeking out. It was so fun for us. It was just like the opposite of how we were always brought up making movies. It was always about two cameras, improv. We'll figure it out editorially later.

That's like a trick we would do a few times. That's what Kristen said. Well, it'd be on the hood. There's a lot of sleight of hand involved. This is a cinephiles fucking whack-off session. We were geeking out. It was so fun for us. It was just like the opposite of how we were always brought up making movies. It was always about two cameras, improv. We'll figure it out editorially later.