Seth Rogen

Yeah, I feel miserable, honestly. I'm anxious, I'm stressed out, panicking pretty much all the time. I was so much happier two weeks ago when I was just angry and resentful that I didn't have this job. I would give anything to be angry and resentful compared to how I feel right now.

Yeah, I feel miserable, honestly. I'm anxious, I'm stressed out, panicking pretty much all the time. I was so much happier two weeks ago when I was just angry and resentful that I didn't have this job. I would give anything to be angry and resentful compared to how I feel right now.

Yeah, I feel miserable, honestly. I'm anxious, I'm stressed out, panicking pretty much all the time. I was so much happier two weeks ago when I was just angry and resentful that I didn't have this job. I would give anything to be angry and resentful compared to how I feel right now.

You know, I walk past the tour guide every morning, and they say that the office was built as a temple to cinema, but it feels much more like a tomb.

You know, I walk past the tour guide every morning, and they say that the office was built as a temple to cinema, but it feels much more like a tomb.

You know, I walk past the tour guide every morning, and they say that the office was built as a temple to cinema, but it feels much more like a tomb.

Yeah, and I'm honored, obviously, to be one of the people that gets to choose, you know, which movies get made and which ones don't. That's huge. And I got into all this because, you know, I love movies, but now I have this fear that

Yeah, and I'm honored, obviously, to be one of the people that gets to choose, you know, which movies get made and which ones don't. That's huge. And I got into all this because, you know, I love movies, but now I have this fear that

Yeah, and I'm honored, obviously, to be one of the people that gets to choose, you know, which movies get made and which ones don't. That's huge. And I got into all this because, you know, I love movies, but now I have this fear that

Yeah, exactly. Like the characters, especially mine, like longs for days of yore. And that was sort of a big part of the idea was to like also anchor the show in like a real feeling history for this studio and sort of like a real culture that the studio and like an identity that the studio has kind of. And so, yeah, we really used color palettes that were very 70s inspired.

Yeah, exactly. Like the characters, especially mine, like longs for days of yore. And that was sort of a big part of the idea was to like also anchor the show in like a real feeling history for this studio and sort of like a real culture that the studio and like an identity that the studio has kind of. And so, yeah, we really used color palettes that were very 70s inspired.

Yeah, exactly. Like the characters, especially mine, like longs for days of yore. And that was sort of a big part of the idea was to like also anchor the show in like a real feeling history for this studio and sort of like a real culture that the studio and like an identity that the studio has kind of. And so, yeah, we really used color palettes that were very 70s inspired.

And you can tell that the characters kind of long for, like, there's a nostalgia for a time that isn't there anymore. They're not trying to be on the cutting edge of things. They're actually trying to kind of go back to how things used to be, you know. And, yeah, we shot a lot of old homes from the 50s and 60s and 70s. That house is a John Lautner house. It's a very beautiful, beautiful house.

And you can tell that the characters kind of long for, like, there's a nostalgia for a time that isn't there anymore. They're not trying to be on the cutting edge of things. They're actually trying to kind of go back to how things used to be, you know. And, yeah, we shot a lot of old homes from the 50s and 60s and 70s. That house is a John Lautner house. It's a very beautiful, beautiful house.

And you can tell that the characters kind of long for, like, there's a nostalgia for a time that isn't there anymore. They're not trying to be on the cutting edge of things. They're actually trying to kind of go back to how things used to be, you know. And, yeah, we shot a lot of old homes from the 50s and 60s and 70s. That house is a John Lautner house. It's a very beautiful, beautiful house.

And in the show, it's as though we kind of, have a storyline as though Frank Lloyd Wright designed the studio that we are in because he was in California making, you know, Mayan revival buildings, like at the time that these studios were made and, and that it sort of has this like grandeur to it, you know, and this like kind of thing that you're trying to live up to. And, you know, I remember, uh,

And in the show, it's as though we kind of, have a storyline as though Frank Lloyd Wright designed the studio that we are in because he was in California making, you know, Mayan revival buildings, like at the time that these studios were made and, and that it sort of has this like grandeur to it, you know, and this like kind of thing that you're trying to live up to. And, you know, I remember, uh,

And in the show, it's as though we kind of, have a storyline as though Frank Lloyd Wright designed the studio that we are in because he was in California making, you know, Mayan revival buildings, like at the time that these studios were made and, and that it sort of has this like grandeur to it, you know, and this like kind of thing that you're trying to live up to. And, you know, I remember, uh,

It's a name drop. I was at 30 Rock Ones with Lorne Michaels. And I was saying what an amazing building it was. And he was like in his way like, well, you know, when any industry is new, they build cathedrals for it. And I always remembered that. And it was so true. And like the studios feel that way a lot of them. Like there are these beautiful places.

It's a name drop. I was at 30 Rock Ones with Lorne Michaels. And I was saying what an amazing building it was. And he was like in his way like, well, you know, when any industry is new, they build cathedrals for it. And I always remembered that. And it was so true. And like the studios feel that way a lot of them. Like there are these beautiful places.