Seth Rogen

It's a name drop. I was at 30 Rock Ones with Lorne Michaels. And I was saying what an amazing building it was. And he was like in his way like, well, you know, when any industry is new, they build cathedrals for it. And I always remembered that. And it was so true. And like the studios feel that way a lot of them. Like there are these beautiful places.

And they were built at a time when they were kind of like unabashedly like lauding and trying to like bolster the importance of the industry, you know. And so that to us was something. very important.

And they were built at a time when they were kind of like unabashedly like lauding and trying to like bolster the importance of the industry, you know. And so that to us was something. very important.

And they were built at a time when they were kind of like unabashedly like lauding and trying to like bolster the importance of the industry, you know. And so that to us was something. very important.

And we got really lucky with that shot, because we shot the show where basically every scene is one take, which was very hard to do, but what it allowed us to do is a scene like that, for example, it's all one shot, and we shot it... maybe 15 times. And, and the first like 10 times it was like rainy and gray and cloudy.

And we got really lucky with that shot, because we shot the show where basically every scene is one take, which was very hard to do, but what it allowed us to do is a scene like that, for example, it's all one shot, and we shot it... maybe 15 times. And, and the first like 10 times it was like rainy and gray and cloudy.

And we got really lucky with that shot, because we shot the show where basically every scene is one take, which was very hard to do, but what it allowed us to do is a scene like that, for example, it's all one shot, and we shot it... maybe 15 times. And, and the first like 10 times it was like rainy and gray and cloudy.

And we kept having to go inside cause it was raining on us and it just looked miserable, but we had a very specific shot we wanted to do. And so we literally just sat inside and waited for it to stop raining as the sun was going down. And then it's like this magical thing happened. We're like, right. As the sun was going down, the rain stopped and Rainbows appeared.

And we kept having to go inside cause it was raining on us and it just looked miserable, but we had a very specific shot we wanted to do. And so we literally just sat inside and waited for it to stop raining as the sun was going down. And then it's like this magical thing happened. We're like, right. As the sun was going down, the rain stopped and Rainbows appeared.

And we kept having to go inside cause it was raining on us and it just looked miserable, but we had a very specific shot we wanted to do. And so we literally just sat inside and waited for it to stop raining as the sun was going down. And then it's like this magical thing happened. We're like, right. As the sun was going down, the rain stopped and Rainbows appeared.

Yeah, I'm like, is that a rainbow over there? You could see the whole city, and we were just like, let's go shoot now. And to me, it was like a real magical Hollywood moment, kind of.

Yeah, I'm like, is that a rainbow over there? You could see the whole city, and we were just like, let's go shoot now. And to me, it was like a real magical Hollywood moment, kind of.

Yeah, I'm like, is that a rainbow over there? You could see the whole city, and we were just like, let's go shoot now. And to me, it was like a real magical Hollywood moment, kind of.

Definitely. And I think that it always was a love letter to Los Angeles. And I think if anything, it is like, I love living in Los Angeles and I've lived here for a very long time and I love the architecture. I love the landscape. Like I love that there's Franklin Wright buildings and John Launder houses. And I think that's one of the things that Hollywood kind of,

Definitely. And I think that it always was a love letter to Los Angeles. And I think if anything, it is like, I love living in Los Angeles and I've lived here for a very long time and I love the architecture. I love the landscape. Like I love that there's Franklin Wright buildings and John Launder houses. And I think that's one of the things that Hollywood kind of,

Definitely. And I think that it always was a love letter to Los Angeles. And I think if anything, it is like, I love living in Los Angeles and I've lived here for a very long time and I love the architecture. I love the landscape. Like I love that there's Franklin Wright buildings and John Launder houses. And I think that's one of the things that Hollywood kind of,

has afforded me over the years is just like access to like these very beautiful spaces, you know? And so, and, and as we were pitching the show, that was always something that we would say the pitch is like a lot of our experience in Hollywood is like being in very beautiful places, having very stupid arguments with one another.

has afforded me over the years is just like access to like these very beautiful spaces, you know? And so, and, and as we were pitching the show, that was always something that we would say the pitch is like a lot of our experience in Hollywood is like being in very beautiful places, having very stupid arguments with one another.

has afforded me over the years is just like access to like these very beautiful spaces, you know? And so, and, and as we were pitching the show, that was always something that we would say the pitch is like a lot of our experience in Hollywood is like being in very beautiful places, having very stupid arguments with one another.

And like that was something that we really was a funny juxtaposition as well.