Stephen Park

And it's so great. And you know, like when we were in Potsdam, Germany, uh, for this latest film, the Phoenician scheme, which opens May 30th, I want to say, or 31st. Um, yeah, the Phoenician scheme is going to be amazing. And we'll talk about star studded, you know, cast.

And it's so great. And you know, like when we were in Potsdam, Germany, uh, for this latest film, the Phoenician scheme, which opens May 30th, I want to say, or 31st. Um, yeah, the Phoenician scheme is going to be amazing. And we'll talk about star studded, you know, cast.

um benicio del toro and michael serra uh mia thorappleton um like that's the other thing like they also like both because when i did the french dispatch that was in angoulême france and they had these uh electric bikes that you could borrow so you know we would go on these like you know, bike trips together. So, I mean, it was my, my wife had come.

um benicio del toro and michael serra uh mia thorappleton um like that's the other thing like they also like both because when i did the french dispatch that was in angoulême france and they had these uh electric bikes that you could borrow so you know we would go on these like you know, bike trips together. So, I mean, it was my, my wife had come.

um benicio del toro and michael serra uh mia thorappleton um like that's the other thing like they also like both because when i did the french dispatch that was in angoulême france and they had these uh electric bikes that you could borrow so you know we would go on these like you know, bike trips together. So, I mean, it was my, my wife had come.

And so it's like hope, hope Davis and Michael Sarah, and we're just riding around Potsdam, you know, going to a beer, you know, it's so much fun. It's like camp and everybody is so cool. And it's like, there's no, there's no hierarchies. It's just, everybody is the same and it's just beautiful. And, and Wes is so meticulous about everything. Like when we went to, um, um,

And so it's like hope, hope Davis and Michael Sarah, and we're just riding around Potsdam, you know, going to a beer, you know, it's so much fun. It's like camp and everybody is so cool. And it's like, there's no, there's no hierarchies. It's just, everybody is the same and it's just beautiful. And, and Wes is so meticulous about everything. Like when we went to, um, um,

And so it's like hope, hope Davis and Michael Sarah, and we're just riding around Potsdam, you know, going to a beer, you know, it's so much fun. It's like camp and everybody is so cool. And it's like, there's no, there's no hierarchies. It's just, everybody is the same and it's just beautiful. And, and Wes is so meticulous about everything. Like when we went to, um, um,

can for the french dispatch i remember they're setting up the dining room for after the screening and um wes is in there with one of the employees and he's putting the names on all the tables he's deciding where everybody's sitting he knows everything he knows where everybody like what room everybody's in like his mind is incredible and what he what he remembers and um and what he's paying attention to so

can for the french dispatch i remember they're setting up the dining room for after the screening and um wes is in there with one of the employees and he's putting the names on all the tables he's deciding where everybody's sitting he knows everything he knows where everybody like what room everybody's in like his mind is incredible and what he what he remembers and um and what he's paying attention to so

can for the french dispatch i remember they're setting up the dining room for after the screening and um wes is in there with one of the employees and he's putting the names on all the tables he's deciding where everybody's sitting he knows everything he knows where everybody like what room everybody's in like his mind is incredible and what he what he remembers and um and what he's paying attention to so

you know, he talks about how, you know, like when he goes to sleep, he's, he's constantly centering things, you know, cause he's doing that all the time in the frame. He's like his brain. Yeah. So his dreams are like a Wes Anderson. Right.

you know, he talks about how, you know, like when he goes to sleep, he's, he's constantly centering things, you know, cause he's doing that all the time in the frame. He's like his brain. Yeah. So his dreams are like a Wes Anderson. Right.

you know, he talks about how, you know, like when he goes to sleep, he's, he's constantly centering things, you know, cause he's doing that all the time in the frame. He's like his brain. Yeah. So his dreams are like a Wes Anderson. Right.

Well, it's out now, kind of. I mean, it's, I guess it's going to be released on March 7th. But it's based on Mickey 7. He, you know, Bong Joon-ho has expanded, obviously. And yeah, that also was just a lot of fun. His imagination is just, it's just incredible. And he's so, it's so fluid, like as a director, he's like, I mean, this is something that,

Well, it's out now, kind of. I mean, it's, I guess it's going to be released on March 7th. But it's based on Mickey 7. He, you know, Bong Joon-ho has expanded, obviously. And yeah, that also was just a lot of fun. His imagination is just, it's just incredible. And he's so, it's so fluid, like as a director, he's like, I mean, this is something that,

Well, it's out now, kind of. I mean, it's, I guess it's going to be released on March 7th. But it's based on Mickey 7. He, you know, Bong Joon-ho has expanded, obviously. And yeah, that also was just a lot of fun. His imagination is just, it's just incredible. And he's so, it's so fluid, like as a director, he's like, I mean, this is something that,

director bong and west have in common is their their their storyboarding is is like the movie's already been made and and the filmmaking is really the constructing of it but if you look at his storyboards it's like every little frame you know exactly what's going to happen so with with director bong sometimes he's storyboarding the night before but you have a sense like he he

director bong and west have in common is their their their storyboarding is is like the movie's already been made and and the filmmaking is really the constructing of it but if you look at his storyboards it's like every little frame you know exactly what's going to happen so with with director bong sometimes he's storyboarding the night before but you have a sense like he he

director bong and west have in common is their their their storyboarding is is like the movie's already been made and and the filmmaking is really the constructing of it but if you look at his storyboards it's like every little frame you know exactly what's going to happen so with with director bong sometimes he's storyboarding the night before but you have a sense like he he