Stephen Park

he's shooting to exactly what he wants on the storyboard. So there's no master shot. So if there's a shot with me crossing the screen and like there's one scene where I'm crossing and I have this injury on my arm and the storyboard is me going. So that's exactly what I'm doing. Just going across the screen and like I'm in pain and then cut. So he's shooting exactly what's on the storyboard.

he's shooting to exactly what he wants on the storyboard. So there's no master shot. So if there's a shot with me crossing the screen and like there's one scene where I'm crossing and I have this injury on my arm and the storyboard is me going. So that's exactly what I'm doing. Just going across the screen and like I'm in pain and then cut. So he's shooting exactly what's on the storyboard.

he's shooting to exactly what he wants on the storyboard. So there's no master shot. So if there's a shot with me crossing the screen and like there's one scene where I'm crossing and I have this injury on my arm and the storyboard is me going. So that's exactly what I'm doing. Just going across the screen and like I'm in pain and then cut. So he's shooting exactly what's on the storyboard.

He's not... he's not having a scene play out and all kind of, you know what I mean? Like he's shooting exactly what's on the storyboard. And Wes goes like even one step further where he does an animatic, which is basically a moving storyboard or a cartoon. So every shot has already been planned and visualized. And then he voices all the characters. And so he,

He's not... he's not having a scene play out and all kind of, you know what I mean? Like he's shooting exactly what's on the storyboard. And Wes goes like even one step further where he does an animatic, which is basically a moving storyboard or a cartoon. So every shot has already been planned and visualized. And then he voices all the characters. And so he,

He's not... he's not having a scene play out and all kind of, you know what I mean? Like he's shooting exactly what's on the storyboard. And Wes goes like even one step further where he does an animatic, which is basically a moving storyboard or a cartoon. So every shot has already been planned and visualized. And then he voices all the characters. And so he,

before you, when you arrive on set, you get to watch the animatics. It's like, you're basically, you watch the movie with his voice. And then he pretty much sticks to exact. So in a way, like when you look at a Wes Anderson movie and you look how the characters move, they kind of, you know, and then they kind of move sideways. You know, there's a kind of stick figure kind of quality.

before you, when you arrive on set, you get to watch the animatics. It's like, you're basically, you watch the movie with his voice. And then he pretty much sticks to exact. So in a way, like when you look at a Wes Anderson movie and you look how the characters move, they kind of, you know, and then they kind of move sideways. You know, there's a kind of stick figure kind of quality.

before you, when you arrive on set, you get to watch the animatics. It's like, you're basically, you watch the movie with his voice. And then he pretty much sticks to exact. So in a way, like when you look at a Wes Anderson movie and you look how the characters move, they kind of, you know, and then they kind of move sideways. You know, there's a kind of stick figure kind of quality.

Maybe to his movies. And it's, it's kind of looks like the, the animation.

Maybe to his movies. And it's, it's kind of looks like the, the animation.

Maybe to his movies. And it's, it's kind of looks like the, the animation.

But he likes that. That's his... aesthetic you know and it really it really works and there's something very funny about it and there's something very kind of almost cartoonish um but uh it's very it's very wes it's very affecting who is left for you on your dream list of directors or co-stars who who have you not worked with that you'd love to uh i don't know i mean my god i mean

But he likes that. That's his... aesthetic you know and it really it really works and there's something very funny about it and there's something very kind of almost cartoonish um but uh it's very it's very wes it's very affecting who is left for you on your dream list of directors or co-stars who who have you not worked with that you'd love to uh i don't know i mean my god i mean

But he likes that. That's his... aesthetic you know and it really it really works and there's something very funny about it and there's something very kind of almost cartoonish um but uh it's very it's very wes it's very affecting who is left for you on your dream list of directors or co-stars who who have you not worked with that you'd love to uh i don't know i mean my god i mean

I mean, I would love to work with Park Chan-wook. I don't, you know, it's funny because I haven't even asked myself that question because it's like everybody I've worked with has been such a surprise.

I mean, I would love to work with Park Chan-wook. I don't, you know, it's funny because I haven't even asked myself that question because it's like everybody I've worked with has been such a surprise.

I mean, I would love to work with Park Chan-wook. I don't, you know, it's funny because I haven't even asked myself that question because it's like everybody I've worked with has been such a surprise.

I never thought I'd be working with any of these people. So, hmm. I don't know because I've already been blessed with working with so many amazing people. So I don't even, I don't know.

I never thought I'd be working with any of these people. So, hmm. I don't know because I've already been blessed with working with so many amazing people. So I don't even, I don't know.