Sterling K. Brown

Why on God's green earth would they choose a location for this very special tree that like is Jack's tree, right? That Justin goes and speaks to in the previous episode. I went to the tree.

Why on God's green earth would they choose a location for this very special tree that like is Jack's tree, right? That Justin goes and speaks to in the previous episode. I went to the tree.

You go to the tree. Milo takes me to this tree in this episode as Rebecca is, has like, she's having headaches and she goes and get an MRI and she's waiting for the results of this MRI. And he sort of like just haphazardly like pulls off the freeway to this like tree that he says he loves, which turns out that was just a bogus story. It was close to a payphone.

You go to the tree. Milo takes me to this tree in this episode as Rebecca is, has like, she's having headaches and she goes and get an MRI and she's waiting for the results of this MRI. And he sort of like just haphazardly like pulls off the freeway to this like tree that he says he loves, which turns out that was just a bogus story. It was close to a payphone.

You go to the tree. Milo takes me to this tree in this episode as Rebecca is, has like, she's having headaches and she goes and get an MRI and she's waiting for the results of this MRI. And he sort of like just haphazardly like pulls off the freeway to this like tree that he says he loves, which turns out that was just a bogus story. It was close to a payphone.

And anyway, so this, the actual location for this tree is, was in like Balboa Park or Lake Balboa here in Los Angeles in the valley, right over the flight path for Van Nuys Airport.

And anyway, so this, the actual location for this tree is, was in like Balboa Park or Lake Balboa here in Los Angeles in the valley, right over the flight path for Van Nuys Airport.

And anyway, so this, the actual location for this tree is, was in like Balboa Park or Lake Balboa here in Los Angeles in the valley, right over the flight path for Van Nuys Airport.

So about every two and a half minutes, there's like a jet landing at this airport, which means... For those who don't know that are listening, you have to stop for sound because they don't want you speaking with the jet in the background.

So about every two and a half minutes, there's like a jet landing at this airport, which means... For those who don't know that are listening, you have to stop for sound because they don't want you speaking with the jet in the background.

So about every two and a half minutes, there's like a jet landing at this airport, which means... For those who don't know that are listening, you have to stop for sound because they don't want you speaking with the jet in the background.

So I'm trying to get through this incredibly emotional scene with my children and I'm telling them the story of what this tree means to us and that you can't blame yourself for the death of your father and you don't have to be the man of the house. All of this as it's like... Like a jet is landing every couple minutes.

So I'm trying to get through this incredibly emotional scene with my children and I'm telling them the story of what this tree means to us and that you can't blame yourself for the death of your father and you don't have to be the man of the house. All of this as it's like... Like a jet is landing every couple minutes.

So I'm trying to get through this incredibly emotional scene with my children and I'm telling them the story of what this tree means to us and that you can't blame yourself for the death of your father and you don't have to be the man of the house. All of this as it's like... Like a jet is landing every couple minutes.

At night, which already is like, I'm a like 7 a.m. to 7 p.m. sort of girl. Those are my best hours. So when the sun goes down, it's already hard for me.

At night, which already is like, I'm a like 7 a.m. to 7 p.m. sort of girl. Those are my best hours. So when the sun goes down, it's already hard for me.

At night, which already is like, I'm a like 7 a.m. to 7 p.m. sort of girl. Those are my best hours. So when the sun goes down, it's already hard for me.

So it's like night shoots are a little bit more of a challenge for me. We're shooting with all the kids. It's a little chilly. You know, it's like all the things. And then this jet, and Ken Olin is directing. We're already exhausted. And it takes a lot for me to lose my cool. But I remember I was like, this is not okay. I wasn't mad at anyone in particular.

So it's like night shoots are a little bit more of a challenge for me. We're shooting with all the kids. It's a little chilly. You know, it's like all the things. And then this jet, and Ken Olin is directing. We're already exhausted. And it takes a lot for me to lose my cool. But I remember I was like, this is not okay. I wasn't mad at anyone in particular.

So it's like night shoots are a little bit more of a challenge for me. We're shooting with all the kids. It's a little chilly. You know, it's like all the things. And then this jet, and Ken Olin is directing. We're already exhausted. And it takes a lot for me to lose my cool. But I remember I was like, this is not okay. I wasn't mad at anyone in particular.