Sterling K. Brown

Oh, yes.

And stealing Shazam.

I would go to the movie and I'm like, you better go, Faith.

I would get hype because she was so good.

And then what we're doing on network television show, Faith popping up in Watchmen, baby.

Oh, yeah.

Faith and Watchmen like doing the dead gum thing.

I was like, all right, well, we'll just sit back on our little network show and let Faith do her thing.

So what was it like sort of comparing and contrasting being on set with us?

And like each set has its own sort of vibe and its own sort of mojo.

Like what was it like going from place to place?

How did you compare and contrast the different environments?

And you've done more since then.

So like just talk to me about that a little bit.

When you work on your scenes, I'm curious, especially, you're 18 now, but you're eight, seven when you first start doing these things.

Like...

Is it just saying lines for you or do you understand like emotionally where that person is?

Like, I'm curious for you in terms of your own maturation process, like how attuned you were to like,

the emotions under the lines at the time?

Or is it one of those things where you just do them over and over again until like they start to like sink in and affect you in a particular way?