Sterling K. Brown

Yeah.

You know.

How can I say it?

This is interesting.

It's fun, like on Black Panther, like you go into the hair and makeup trailer and all hair and makeup is black.

Yeah.

If you have to get a haircut, you know shit's going to be right.

Yeah.

It's going to be a good fade.

It's going to be good.

Other experiences you walk in, there's not a black person in there.

And they pull out a set of clippers that nobody has ever put towards your head before.

And you're like, I guess we're going to wear a hat on this one.

What I sort of rejoice into is I think I grew up in an era, like there were a few ensemble things that would take place.

And I remember having this conversation with Chad specifically, where for a long time it seemed

For black folks in Hollywood, there could be only one.

That only one person was allowed to sort of pop at a time.

And I've heard Eddie Murphy talk about this in his documentary.

And you've heard other people talk about it.

There's this thing, number one on the call sheet.