Steve Ceruti
π€ SpeakerAppearances Over Time
Podcast Appearances
I was, I was researching him this week, man. What a run. Well, I mean, what a, what a project. Go ahead. Keep going.
I was, I was researching him this week, man. What a run. Well, I mean, what a, what a project. Go ahead. Keep going.
I was, I was researching him this week, man. What a run. Well, I mean, what a, what a project. Go ahead. Keep going.
So this is kind of like you rooting against Kyrie Irving's championship ring.
So this is kind of like you rooting against Kyrie Irving's championship ring.
So this is kind of like you rooting against Kyrie Irving's championship ring.
I was confused at first because... It's happening in front of you, but it's kind of vague. And then you go, wait, this is taking a turn.
I was confused at first because... It's happening in front of you, but it's kind of vague. And then you go, wait, this is taking a turn.
I was confused at first because... It's happening in front of you, but it's kind of vague. And then you go, wait, this is taking a turn.
I can't even say the final scene, the penultimate thing.
I can't even say the final scene, the penultimate thing.
I can't even say the final scene, the penultimate thing.
Yeah. Uh, I thought it was a bit more of a metaphor. I understand what you're saying. Like of the artists, I thought it had to do more with like ultimately Adrian Broderick, uh, Adrian Brody's character. They were always going to be second-class citizens. They were always going to be taken advantage of the same way his art was taken advantage of. Um, I thought it was shot brilliantly, uh,
Yeah. Uh, I thought it was a bit more of a metaphor. I understand what you're saying. Like of the artists, I thought it had to do more with like ultimately Adrian Broderick, uh, Adrian Brody's character. They were always going to be second-class citizens. They were always going to be taken advantage of the same way his art was taken advantage of. Um, I thought it was shot brilliantly, uh,
Yeah. Uh, I thought it was a bit more of a metaphor. I understand what you're saying. Like of the artists, I thought it had to do more with like ultimately Adrian Broderick, uh, Adrian Brody's character. They were always going to be second-class citizens. They were always going to be taken advantage of the same way his art was taken advantage of. Um, I thought it was shot brilliantly, uh,
I thought the score was great. I think the location and the build to this monument that Toth is building, all of that stuff was really cool. I don't know that I cared about the characters enough at the end to feel something that would match how dramatic all of it was at the end.
I thought the score was great. I think the location and the build to this monument that Toth is building, all of that stuff was really cool. I don't know that I cared about the characters enough at the end to feel something that would match how dramatic all of it was at the end.
I thought the score was great. I think the location and the build to this monument that Toth is building, all of that stuff was really cool. I don't know that I cared about the characters enough at the end to feel something that would match how dramatic all of it was at the end.
Yeah, and I guess I felt guilty. And maybe, again, it was expectations of people talking about, like, this is one of the greatest films they'd ever seen. I didn't know if they were tricked by the overture, perhaps. Correct.
Yeah, and I guess I felt guilty. And maybe, again, it was expectations of people talking about, like, this is one of the greatest films they'd ever seen. I didn't know if they were tricked by the overture, perhaps. Correct.